The big question: If most of the trading in cryptocurrencies is high-risk speculation and they will require traditional regulation anyway, does the world really need such alternative money?
Lavialle Campbell has been an artist for as long as she can remember. At age 5, she would get her work done in school so she could go outside and paint a brick wall with water. At 7, she was collecting seed beads for small projects. Art got her through childhood illnesses, and, in adulthood, two bouts with cancer.聽
鈥淚t saved my life,鈥 she says, 鈥渂ecause I always had art to fall back on, so whenever something happened, I wouldn鈥檛 get depressed. I would have something to work on.鈥
The pandemic 鈥撀燼nd her retirement from a career as a legal secretary 鈥撀燽rought her something she鈥檇 never had before: time. The result was an explosion of creativity and six exhibitions 鈥 one of which I visited at the Bakersfield Museum of Art in Southern California.
鈥淥f Rope and Chain Her Bones Are Made鈥 is a collection of works by nine women, celebrating the handiwork that underlies the often invisible work associated with womanhood. The exhibit highlights the dichotomy of strength and femininity, and is full of whimsy: ropes dangling from a wall that turn out to be cast bronze; playful hanging sculptures made from salvaged plastics; ceramic beads shaped like little pieces of bone, strung together to make a curtain.聽
鈥淎ll expression is valuable,鈥 says Ms. Campbell, whose pieces include an improvised black-and-white quilt and a number of ceramic sculptures.
Black-eyed peas appear in all of her exhibitions, a triumphant nod to the sting of racism she felt in graduate school. Ms. Campbell had created an altar as a final art project, honoring her grandmother and great-grandmother, who were enslaved. The teacher got angry about the tribute, which included foods specific to Black culture, and humiliated Ms. Campbell in front of the class. The peas, she says, are a scar from those days 鈥 and a satisfying reminder of her success.
Invariably, that success uplifts women. 鈥淚 want to represent women who are always in the picture but never get credit for it,鈥 she says.