Alfred Hitchcock's old home plays host to J.M.W. Turner admirers
Admirers of British painter J.M.W. Turner meet in Alfred Hitchcock's old home. They're pushing for a better appreciation of the painter's work.
London
鈥� A local, slice-of-life story from a Monitor correspondent.
The address 153 Cromwell Road, in London鈥檚 Earl鈥檚 Court neighborhood, may ring a bell only with the most ardent devotees of Alfred Hitchcock, whose residency there between 1926 and 1939 is noted by a shiny blue plaque. The building鈥檚 facade looks time-worn; an inscription above the entrance reads 鈥淭urner House.鈥�
These days, the address is linked to the Independent Turner Society, a group of admirers of the 19th-century painter and printmaker J.M.W. Turner, which, for the past 20 years, has been pushing for the building of a gallery to unite the works he left to Britain, as requested by the artist鈥檚 will. That the society meets in the building where the legendary聽director once lived is entirely coincidental: Selby Whittingham, the society鈥檚 founder who lives on the first floor, says he鈥檇 been there for 25 years before he learned Hitchcock had occupied the two floors above him.
Whittingham and his colleagues believe the British government has not properly treasured Turner鈥檚 great body of work 鈥� some 20,000 watercolors and drawings and more than 300 oil paintings 鈥� that the artist bequeathed to Britain upon his death in 1851, with the wish that they be housed and displayed together. Some of Turner鈥檚 works went to London鈥檚 National Gallery, but the space was too small to accommodate all of them.
In 1910, the Duveen wing opened at the Tate Gallery (now the Tate Britain) to house some of the artist鈥檚 bequest. But it was the opening of the Tate鈥檚 Clore Gallery in 1987 that provided an expanded space for his drawings and prints, and some proclaimed the master鈥檚 dying wish was at last fulfilled.
Not everyone agreed. For one, the Clore Gallery held many but not all of Turner鈥檚 works. 鈥淸The space] needs to be several times larger to house all of the oils and to give fair coverage to the watercolors and prints,鈥� says Whittingham, an art historian and Turner scholar who founded the Independent Turner Society around the time the Clore opened.
In 2011, society members plan to use the 150th anniversary of a parliamentary report stating the paintings should be kept together in a building connected to the National Gallery to once again push for a new exhibition space.聽