Black history restored: New life for Atlanta civil rights home
A Victorian Atlanta home with a storied past was bought by an Atlanta couple who wanted to preserve its place in Black American history. The restoration was filmed by PBS, which will air as part of the channel鈥檚 series 鈥淭his Old House鈥� on Sept. 29.
Kysha Hehn waits to record another scene of "This Old House" in Atlanta on August 10. A five-bedroom Victorian house south of Georgia鈥檚 capitol was in severe disrepair until Atlanta couple Kysha and her husband Johnathan Hehn saw its potential.
Michael Warren/AP
Atlanta
Most contractors told them they would tear it down. A two-story five-bedroom Victorian built around 1900, it was abandoned and collapsing, with vines reaching its rafters. Elegant features were scavenged long ago. The house鈥檚 place in American history was at risk of disappearing.
An Atlanta couple bought the property nevertheless, hoping to fix it up and live there with their two children. Eventually they found partners who also recognized the importance of the house built by early civil rights activist Luther Judson Price.
Kysha and Johnathan Hehn鈥檚 renovation plans shifted to fast-forward when a neighbor connected them with 鈥淭his Old House.鈥� The PBS show chronicled their renovation in eight episodes to stream Sept. 29, weaving Black history in with its usual home improvement tips.
鈥淎n old house that has fallen into disrepair is our bread and butter,鈥� the show鈥檚 host, Kevin O鈥機onnor, said before a scene involving an antique door. 鈥淏ut Kysha and Jonathan continue to surprise me with their determination that anyone who walks through the house is aware of the legacy.鈥�
Born enslaved by his plantation owner-father, Price was an early Clark College graduate who served as the federally appointed postmaster of South Atlanta, executive secretary of a Masonic order, and superintendent of the South Atlanta Methodist Episcopal Church, while his wife, Minnie Wright Price, a graduate of Atlanta University, 鈥渟hared each of these positions with her husband,鈥� according to their obituaries in the Atlanta Daily World.
The Prices also led voter registration drives for African Americans and organized support for the Republican Party of their time, according to the Atlanta Public Schools, which has a middle school named in his honor.
In the house, the Hehns now plan to create a community space downstairs where people will be welcomed for meetings, to share food and stories, and learn about a family that tried to point the South toward justice after the Civil War.
The Prices married in 1889 and built the home several years later along a two-block stretch of Gammon Avenue, flanked by the Gammon Theological Seminary and Price鈥檚 general store and post office. It was the hub of what was then called Brownsville, an upwardly mobile community that prospered even as Southern whites crushed federal efforts to help Black people rise from slavery鈥檚 political, social, and economic legacy.
Then came a nightmare in September 1906, when a white mob that had killed at least 25 Black people in downtown Atlanta ransacked the area, chasing rumors that Price had supplied his neighbors with weapons.
鈥淐an you imagine seeing this mob of people coming toward you? Just imagine what your emotions would have been, with people coming to your house and neighborhood because of the color of your skin?鈥� said Ms. Hehn, shuddering at the trauma they must have felt.
Mr. Price was narrowly rescued, staying at the county jail for his own safety until the violence ended. 鈥淎 lot of white people in Atlanta who had contact with him went out of their way to protect him,鈥� said his grandson, Farrow Allen.
The massacre prompted an exodus of Black people from Atlanta, and those who stayed were legally disenfranchised. While Luther and Minnie Price lived in the home until his death in 1936, their five children left Georgia, missing a chance at generational wealth through real estate. The home changed hands as the neighborhood declined, its assessed value falling below $7,000 before the Hehns bought it, tax records show.
鈥淭he most graceful way to move forward is to be gentle and honest with the past, with pieces of our history that we cannot change, while moving forward with the intention of creating a more peaceful and compassionate world for everyone,鈥� Ms. Hehn said.
One small example: The Hehns urged the show鈥檚 producers to avoid saying 鈥渕aster bedroom,鈥� given its connotations of slavery. Mr. O鈥機onnor said they made the switch to 鈥減rimary bedrooms鈥� a while ago.
And while they鈥檒l acknowledge the trauma, she said visitors should know 鈥渢here were birthdays here. There were celebrations here. We lived in joy, even when that was not what was expected for us to do.鈥�
鈥淓veryone has been so kind and nice,鈥� she added, describing how one couple came over and said 鈥淗ey, we have Luther Price鈥檚 mantlepiece, do you want it?鈥� They had been keeping it in their basement nearby.
Another cherished discovery was the Ashanti symbol of 鈥淪ankofa鈥� they saw in wrought-iron bars protecting a downstairs window.
鈥淚t鈥檚 a bird that鈥檚 facing forward, but its neck is craning backward and there鈥檚 an egg on its back and the bird is picking up the egg, symbolizing how she鈥檚 carrying the wisdom of the past and bringing it forward to the youth,鈥� Ms. Hehn said. 鈥淭o have this symbol of Sankofa all around where people gathered is just a dream for me.鈥�
This story was reported by The Associated Press. Michael聽Warren is a member of the AP鈥檚 Race and Ethnicity team.