How one photo provides a more accurate portrait of Baltimore
An image of a young boy offering a bottle of water to a Baltimore policeman in riot gear demonstrates the power of a photograph to rouse emotion and promote understanding.
In this photo taken in Baltimore by local pastor Bishop M. Cromartie, a young boy offers a bottle of water to police in riot gear.
Bishop M. Cromartie/Facebook
Over the past few days, most photos of Baltimore have featured the fallout of violence: Broken windows, looted stores, and cars in flames.
But one image 鈥� that of a young boy offering a bottle of water to a policeman in riot gear 鈥� helps paint a more complete portrait of events in the city, and inspires hope as it goes viral on social media. It also illustrates the power of a photograph to rouse emotion and promote awareness and understanding.
鈥淥ne of many pictures that I captured today in the midst of helping clean up the city and it speaks volumes,鈥� local pastor Bishop M. Cromartie, who took and posted the photo Tuesday, wrote on . As of Wednesday morning, the image had been shared more than 64,000 times.
Photographs have long played a critical role in conflicts both international and domestic. Some images 鈥� such as Huyng Cong Nick Ut's photo of a from a napalm bombing or Bill Hudson鈥檚 picture of a black聽 in Birmingham, Ala. 鈥� have helped put a face to violence and provoked horror or anger.
Others, like Joe Rosenthal鈥檚 and Bernie Boston鈥檚 image of , deliver a message of hope and the promise of peace.
鈥淧hotography is an extremely valuable communication instrument because it is universally accessible and understood and it bridges socio-economic and linguistic barriers,鈥� while discussing his work in war-torn Libya with the International Medical Corps.鈥漑P]hotography can support people鈥檚 struggles in dealing with the painful past, in designing a shared vision of the future.鈥�
鈥淧hotographs are witnesses of the broken relations and can contribute to the healing of societies,鈥� he added.
That power, bolstered by social media and the Internet, is evident in photos such as Mr. Cromartie鈥檚, which have surfaced amid the 鈥淏lack Lives Matter鈥� rallies taking place as a result of tensions between the black community and police across the country.
Late last year, for instance, the image of a young black boy hugging a white police officer at a Ferguson-related demonstration in Portland, Ore., was dubbed by The Oregonian as 鈥溾�� after it was shared more than 150,000 times on Facebook in 24 hours, .
鈥淚 thought, what a great scene. A powerful scene,鈥� Johnny Nguyen, the freelance photographer who took the picture, told the network. 鈥淎 scene with a message that needed to be communicated. A scene of coming together.鈥�
In Baltimore, Cromartie that he sees his photo as 鈥渁 way to show that Baltimore is not as bad and that the people who riot are just a handful, that clearly you have, statewide, people who actually care.鈥�
Hashtags such as #OneBaltimore have also produced a number of images showing solidarity among community leaders and residents in the face of the violence that engulfed the city in the wake of Freddie Gray鈥檚 death in police custody.
Such photos, of course, can only do so much. As in Ferguson and elsewhere in the country, the riots of the last few days represent deep-rooted tensions and longstanding ills 鈥� such as police violence, underrepresented populations, and economic challenges 鈥� that won鈥檛 be cured by a few photos, no matter how moving.
Still, the images help to produce a more accurate portrait of Baltimore at a critical time, a portrayal that should also include those residents who are dedicated to peace, promoting the kind of understanding necessary to begin solving the city鈥檚 problems. 聽
鈥淭o really understand my hometown, you can鈥檛 just look at the rioters, the police or the politicians,鈥� Farai Chideya, a New York journalism professor originally from Baltimore, . 鈥淵ou have to see the people who make it what it is.鈥�