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‘Knives Out’ returns with a knotty case and more of Daniel Craig’s virtuoso detective

An ensemble cast propels the whodunit "Wake Up Dead Man: A Knives Out Mystery," from director Rian Johnson.

John Wilson/Netflix © 2025

November 25, 2025

Writer-director Rian Johnson’s “Wake Up Dead Man” is the third in the “Knives Out” series and possibly the best. It’s a return, of sorts, to the Gothic trappings of the first entry, which starred Christopher Plummer as a patriarch whose demise kicks off the murder plot. The second film, “Glass Onion,” set on a sparkling Greek isle, featured Edward Norton as an Elon Musk-ish billionaire. The gorgeous scenery outshone the convoluted whodunit machinations.

“Wake Up” can be appreciated as an excellent example of that venerable murder mystery genre – the “impossible crime” – in which no solution to the murder seems rational. But Johnson also has a bit more on his mind than this. Without being too strenuous about it, the film also probes the nature of religious belief.

The action leading up to the Good Friday Murder, as the film deems it, begins with the transfer of Jud Duplenticy (Josh O’Connor), a Catholic priest, to a small parish in upstate New York. The reason for the transfer is that Jud, in a fit of justifiable pique, punched out a fellow priest. It is soon revealed that Jud, a former boxer, once killed a man in the ring. He sees the priesthood as his spiritual salvation.

Why We Wrote This

The third “Knives Out” may be the best, our film critic says. A church-set crime offers the latest challenge for engaging detective Benoit Blanc in “Wake Up Dead Man.”

The parish, Our Lady of Perpetual Fortitude, is presided over by Monsignor Jefferson Wicks (Josh Brolin), a fire-and-brimstone type with a small flock of regulars. (The flock is small because he’s alienated everybody else in town.) Wicks and Jud, who attempts unsuccessfully to stage secret prayer meetings, are polar opposites: Jud is devoted to a loving God. Wicks is big on vengeance.

Josh O'Connor (left) and Daniel Craig star in "Wake Up Dead Man," the third in the "Knives Out" series.
Courtesy of Netflix © 2025

When the inevitable murder plot kicks in, the screen is aswarm with potential suspects from the parish – an alcoholic doctor (Jeremy Renner); a sci-fi novelist on the skids (Andrew Scott); an embittered lawyer (Kerry Washington); a celebrated former cellist who now uses a wheelchair (Cailee Spaeny); the spiky church lady (Glenn Close); and the groundskeeper (Thomas Haden Church). They all shine.

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Daniel Craig’s Southern-fried virtuoso detective Benoit Blanc, the only mainstay in the franchise, unfortunately doesn’t turn up until around the 40-minute mark. But when he does, the proceedings pick up. He quickly dismisses Jud as a suspect, though the film is so replete with red herrings that nothing can be discounted. The puzzle at the heart of the investigation is: How can someone be stabbed to death while alone in a fully enclosed space with no other entry point and with all potential suspects positioned in plain view?

Blanc pooh-poohs what the parishioners regard as an unfathomable event. “It’s just a murder,” he intones to Jud, “and I solve murders.” Debating faith with Jud inside the church, he admits he feels the grandeur of the edifice but says, “I kneel at the altar of the rational.” Jud compliments him on his honesty. He then counters with his own take on religious faith as something profoundly true. Jud is really the film’s centerpiece and, as O’Connor movingly plays him, a fitting one. Jud wants to be a good priest because he believes that’s what the world so badly needs.

I don’t mean to suggest that “Wake Up” is some sort of theological debate dolled up as a murder mystery. It’s more fun than that. But there is, in fact, a time-honored history of mysteries exploring religious ideas. (G.K. Chesterton’s Father Brown stories are prime examples.) Johnson himself in a recent interview that “I have strong feelings about faith: both my own personal experience and how it intersects with our country’s cultural and civic life.” He also clearly has some thoughts on the current state of U.S. politics. A YouTube influencer and former GOP political aspirant (Daryl McCormack) early on in the movie claims that he can help boost the rabble-rousing Wicks into the presidency in four years.

The real miracle here is that none of this heavy lifting does much to bog down the proceedings. There are lapses and lulls in the storytelling. But to put it bluntly, you can be a Blanc or a Jud and still enjoy this movie. 

Peter Rainer is the Monitor’s film critic. “Wake Up Dead Man: A Knives Out Mystery” opens in theaters Nov. 26, and will stream on Netflix starting Dec. 12. The film is rated PG-13 for violent content, bloody images, strong language, some crude sexual material, and smoking.