海角大神

When composer Ng Chor Guan started commuting by bicycle in car-obsessed Malaysia a decade ago, he was struck by how quickly his city was changing and the sounds he would not have heard if he had been driving.

It led him to start recording the everyday sounds of Malaysian cities, one of a growing number of artists in Asia from India to Hong Kong who are seeking to preserve audible heritage in the region鈥檚 fast-changing urban hubs.

鈥淪ound has many powerful hidden messages. It鈥檚 not only about recording a certain event, but also the evolution of a place,鈥� said Mr. Ng, who records urban soundscapes from pockets of jungle to communal areas threatened by redevelopment.

Today the award-winning composer combines sound preservation with contemporary art, taking his performances to audiences across Asia and Europe.

鈥淚 realized some sounds are disappearing or changing,鈥� said Mr. Ng, citing multicultural Malaysia鈥檚 鈥榬ojak鈥� pidgin. Blending several local languages and named after a mixed fruit salad, the pidgin can often be heard in places like street markets.

鈥淔rom one city to another, these sounds each have their own identity and uniqueness. I鈥檓 hoping more people can hear them and rediscover their cities,鈥� he told the Thomson Reuters Foundation in the capital, Kuala Lumpur.

Asia-Pacific has one of the world鈥檚 fastest urbanization rates, according to the United Nations, with half of its population 鈥� or some 2.3 billion people 鈥� living in cities for the first time in 2019.

As the region becomes more developed, urban soundscape studies have often focused on noise pollution, while efforts to preserve the identity of cities have concentrated on heritage buildings or through visual works, conservation experts said.

鈥淭here are certainly not enough efforts to record 鈥榟istoric sounds鈥� related to places and activities,鈥� said Jeff Cody at the California-based Getty Conservation Institute, which seeks to preserve cultural heritage.

鈥淭his is very lamentable, not only for nostalgic reasons, but also because often these sounds relate to the social significance of the historic places where they鈥檙e present,鈥� said Mr. Cody, an architectural historian whose work focuses on Asia.

William Chapman, a historic preservation professor at the University of Hawaii, said sound conservation gave a peek into how a city once was, noting a recording of 18th century Paris in which the sound of pigs being taken to market could be heard.

From sing-song chants to 鈥榙ing ding鈥� trams聽

In Delhi, the sing-song chants of hawkers who roam neighborhoods selling everything from vegetables to shoes are a fixture of life in India鈥檚 capital, but their numbers have dwindled in recent years, said Indian artist Rashmi Kaleka.

In 2000, she began to record the calls of the vendors 鈥� known locally as the pheriwalla 鈥� who are coming under increasing pressure due to the rise of e-commerce and official efforts to regulate where they can trade.

鈥淲ith coronavirus and lockdowns now, it has just become extremely difficult for them to come back to these middle-class colonies,鈥� said Ms. Kaleka, who has more than 2,000 clips she recorded over 15 years before she took a break in 2015.

Her sound installations on the vendors have been featured domestically and abroad, and she is considering starting a digital platform to archive her work more systematically.

鈥淭hey are disappearing, they are doing something else, it鈥檚 not feasible or economical for them to be hawking,鈥� said Ms. Kaleka.

In Hong Kong, Kan Hei-chun runs an online sound library archiving the natural soundscape he recorded from forests across the densely packed city which he feared would one day give way to development and skyscrapers.

He also records urban sounds 鈥� from an ancient Chinese ritual of beating away the evil spirits with a pair of shoes that still thrives in Hong Kong today, to the city鈥檚 famous trams which are nicknamed 鈥渄ing ding鈥� for the sounds they emit.

Despite their iconic status, the trams have faced persistent noise pollution complaints from some residents and have been undergoing upgrading work in recent years that includes coating the tram lines in rubber to make them quieter.

鈥淲ill our children ask why the trams are called the ding ding if these sounds disappear one day?鈥� said Mr. Kan, a sound designer who works on concerts and productions.

鈥淭hey are quieter and it鈥檚 good to tackle noise pollution, but we are also losing a slice of our collective memory in this city. These sounds symbolize our era, our generation 鈥� they鈥檙e all part of our culture and identity that we need to preserve.鈥�

Evolving soundscapes

Fei Chen, an architecture expert from Britain鈥檚 University of Liverpool, said sounds are an 鈥渋mportant carrier鈥� of the memory and identity of a place as they represent the social dynamics that once existed there.

鈥淣evertheless, with the change of the social dynamics over time, place identity is evolving. Some sounds would inevitably disappear, and new sounds will emerge,鈥� said Ms. Chen, who has studied preserving cultural identity in Chinese cities.

鈥淭he pity here is the disappearance of the original community along with the demolishing of the physical spaces, this makes the artists鈥� work particularly relevant for conservation.鈥�

Mr. Cody from the Getty Conservation Institute called on local communities to create a 鈥渟onic database鈥� to document significant sounds before the city changes.

鈥淟ocal activists might be able to use the sound-recording as a catalyst for galvanizing others to protect the places associated with the sounds before they are destroyed forever,鈥� he said.

This story was reported by The Thomson Reuters Foundation.