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Paul McCartney the musician, the songwriter, the experimentalist, the huckster, the hippie, the charmer, the living ambassador of the Beatles legacy 鈥� all these roles Mr. McCartney played to top form Monday, the second of two blockbuster nights at Wrigley Field in Chicago.

He is on a barnstorming tour of five of North America鈥檚 top baseball stadiums this summer, an itinerary that may look sparse in a datebook but is ending up to be the most exhilarating performance run of his career. Like the previous dates on this tour, Monday鈥檚 performance was just ten minutes shy of three hours and featured 35 songs without little break in the action. Add a setlist that spanned nearly 50 years of pop music history and there was a sense that this was something special that would not be glimpsed in years to come.

McCartney鈥檚 casual but confident stage manner, frequently accompanied by lithe dance steps, contrasted the Herculean effort of sorting through a deep catalog and performing each song with vitality. This turned out to not an obstacle as McCartney, accompanied by a four-member band, rolled forward with ease, connecting each song with present day enthusiasm. With every vocal bark and bellow still sharp, he reflected little the constraints of his age but instead seemed to use the songs as anchors to deepen his survivor鈥檚 credentials as both musician and entertainer.

Obvious Beatles songs dominated the night, and how could they not? With these, McCartney choose songs that, once again, showcased that band鈥檚 many evolutionary phases in such a short time window, from taut, harmonic power pop (鈥淭he Night Before鈥�) to fantasia (鈥淭he Long and Winding Road鈥�) to 鈥淗elter Skelter,鈥� a song that still kicks up dirt, giving McCartney an excuse to thrash amid noisy power chords.

With so much ground to cover, McCartney also filtered in new songs, such as 鈥淪ing the Changes,鈥� a track from The Fireman, a stealth side project that was largely underground until recently, and 鈥淒ance Tonight,鈥� a tuneful song so simple, it got hijacked by drummer Abe Laboriel Jr. who humorously rotated through several mock dance styles behind his singer鈥檚 back.

The band injected little personality but leaned into the heavier fare with more ambition, especially on those, like 鈥淛unior鈥檚 Farm,鈥� that happen to require three-part harmonies. Exactitude was the mission although it would have been nicer if actual horn and string players, instead of a keyboard played by Paul 鈥淲ix鈥� Wickens, replicated the signature horn and string parts.

McCartney did not often step outside his role as congenial host giving the people what they want. But that did not mean he wasn鈥檛 capable of a surprise. Near the end of 鈥淟et Me Roll It,鈥� a Wings hit, the band launched into 鈥淔oxy Lady,鈥� the Jimi Hendrix signature that allowed McCartney solo on his guitar as his band vamped. Later, following 鈥淚 Got a Feeling,鈥� the band reprised the song but in lyric only. McCartney sang the title lyrics over a band jam that involved interlocking guitars, including his own, in what simply looked like an opportunity for the singer to enjoy an unhinged moment to loosen free, even from himself.

McCartney paid tribute to John Lennon and George Harrison through their songs. For Lennon, a mash-up of 鈥淎 Day in the Life鈥� with 鈥淕ive Peace a Chance鈥� was less successful, simply because both felt crowbarred together. The more effective Lennon tribute was 鈥淗ere Today,鈥� a song written two years after Lennon鈥檚 murder he played alone on an acoustic guitar that featured lyrics that winsomely talked to his former partner about regrets and lost opportunities his death left behind.

The stage design gave concertgoers in the far stands ample video of the stage action, taking place in centerfield. That included a bit of salesmanship 鈥� footage of a virtual Beatles from a recent video game package on sale at a Best Buy near you. There was also a surprise, and overplayed, montage of fireworks and pyrotechnics both above and on stage during 鈥�Live and Let Die.鈥� Even McCartney looked comically swayed by the cartoon sequence, plugging his ears with his fingers and shaking his head when it was complete.

Yet the most affecting moments of the marathon evening were those in which McCartney stood alone with a guitar, telling stories and hitting strings. He was not observed taking in much water or even pausing during this hot Chicago night, which contributed to the effect he was as much absorbed in the music as anyone present. Song after song, 鈥淎nd I Love Her鈥� to 鈥淏lackbird鈥� to 鈥淵esterday,鈥� McCartney turned familiar territory into quiet, shared celebrations.

Paul McCartney鈥檚 setlist for Monday, Aug. 1 at Wrigley Field, Chicago

1. Magical Mystery Tour

2. Junior鈥檚 Farm

3. All My Loving

4. Jet

5. Got To Get You Into My Life

6. Sing the Changes

7. The Night Before

8. Let Me Roll It/Foxy Lady

9. Paperback Writer

10. The Long and Winding Road

11. Nineteen Hundred and Eighty-Five

12. Let 鈥楨m In

13. Maybe I鈥檓 Amazed

14. I鈥檓 Looking Through You

15. And I Love Her

16. Blackbird

17. Here Today

18. Dance Tonight

19. Mrs. Vandebilt

20. Eleanor Rigby

21. Something

22. Band on the Run

23. Ob-La-Di, Ob-La Da

24. Back in the U.S.S.R.

25. I鈥檝e Got a Feeling

26. A Day in the Life/Give Peace a Chance

27. Let It Be

28. Live and Let Die

29. Hey Jude

30. Lady Madonna

31. Birthday

32. I Saw Her Standing There

33. Yesterday

34. Helter Skelter

35. Golden Slumbers/Carry That Weight/The End