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This article appeared in the October 26, 2020 edition of the Monitor Daily.

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Live music slowly revives its role: To connect and inspire

Mary Altaffer/AP
Viola player Robert Rinehart sets up to perform at Betty Carter Park in Brooklyn, New York, Oct. 2, 2020. The NY Phil Bandwagon has been offering impromptu chamber music concerts as part of the New York Philharmonic鈥檚 Fall 2020 activities.
Clayton Collins
Director of Editorial Innovation

Music has those 鈥渃harms to soothe.鈥 What a welcome attribute in .听

Performers of live聽music, suppressed by the pandemic,聽are聽finding responsible new ways to connect and uplift even with venues shuttered..

A Brooklyn for enchanted passersby. The Avett Brothers sing for at the Charlotte Motor Speedway 鈥 also taking a lap, to cheers, in an old Plymouth Roadrunner. The Flaming Lips, performance pioneers, try extending their long-running plastic-bubble motif by聽.听

Interplay is the driver, and it鈥檚 a two-way kick. Many bands 鈥 not just jam bands 鈥 use crowd input to shape each show.听

Stephen Humphries, the Monitor鈥檚 chief culture writer, calls this a 鈥渃ommunion.鈥 Stephen鈥檚 a concert devotee. (He and I have tickets for a David Crosby show that got bumped from last June to this coming one.)聽

鈥淭here's a whole different dynamic when a band is playing live,鈥 he says. He recalls a pre-pandemic concert at which Canadian indie-pop singer Feist began exchanging bird calls with his wife as Feist teased an avian-themed song.听

It was one of several points, Stephen says, at which 鈥渢he sheer beauty of the music made me feel as if I was levitating.

鈥淭hat kind of feeling 鈥 which, in normal times, people around the world experience every night at live shows 鈥 can't be replaced.鈥澛

We wave our virtual lighters and embrace its cautious return.


This article appeared in the October 26, 2020 edition of the Monitor Daily.

Read 10/26 edition
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