'Basketball' is a fast-break compilation that goes from from the beginning to Stephen Curry
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This month brings the climax of the college basketball season 鈥 March Madness, remember? 鈥 followed in April by the start of the two-month marathon that is the NBA playoffs. And if that鈥檚 still not enough roundball, Basketball: Great Writing About America's Game, a new Library of America collection of the best basketball writing, offers an embarrassment of riches to restore your spirits once your bracket goes bust.
Longtime聽Sports Illustrated聽writer and contributor Alexander Wolff curated the collection and he鈥檚 done it so well that this reader has but one quibble: Why leave out an excerpt from John Feinstein鈥檚 鈥淎 Season on the Brink,鈥 the 1986 bestseller chronicling a year inside the Indiana Hoosiers program with coach Bobby Knight?
That complaint aside, Wolff has put together a fast-break compilation that takes the reader literally from the beginning 鈥 in a sliver of memoir from James Naismith on how he invented the game in 1891 鈥 to the present-day reign of Stephen Curry and the Golden State Warriors.
Curry, writes Rowan Ricardo Phillips, has taken pure shooting into the realm of artistry.
Anyone who鈥檚 ever watched Curry knows this to be true, but it鈥檚 much more fun to think about in Phillips鈥 words: 鈥淗e鈥檚 to the point where he鈥檚 putting the ball up like he鈥檚 getting rid of a bomb. He sometimes looks like he鈥檚 just throwing the ball up. Then there are the finger rolls, scoop shots and teardrops with either hand. He鈥檚 rising up from twenty-five feet out and skedaddling back to the other end of the court as soon as the ball leaves his hand.鈥
Yes, that. (Phillips, by the way, is an All-Star himself, toggling between a renowned career in poetry and dabbling in sportswriting at聽The Paris Review.)
Besides Curry, many of the game鈥檚 top players and teams from all eras are featured in these pages, including Bob Cousy, Bill Russell, Pete Maravich, Michael Jordan and the six-time champion Chicago Bulls of the 1990s, Magic Johnson鈥檚 Olympic Dream Team and so on. Kareem Abdul-Jabbar may be the ultimate MVP: A Hall of Famer on the court who also contributes a smart foreword and a thoughtful excerpt from his account of teaching the game on a Native American reservation.
The roster of writers is every bit as impressive, from Frank Deford鈥檚 for-the-ages profile of Indiana coach Knight (鈥淭he Rabbit Hunter鈥), which probably led to Feinstein鈥檚 ouster to preserve diversity of subjects, to Jimmy Breslin on Marquette coach Al McGuire鈥檚 wise-guy street hustle and heart and continuing with David Halberstam鈥檚 portrait of the late-'70s Portland Trail Blazers. Contemporary selections include ESPN鈥檚 Zach Lowe, who takes a break here from his incisive and rigorous analytical approach to reflect on losing his fandom, and Michael Lewis, who explores and explains the often-overlooked Shane Battier, who played 13 NBA seasons and invariably improved his team鈥檚 performance with few people knowing how he did it. Lewis鈥 explanation, mined, in part, from Houston Rockets executive Daryl Morey, provides a clinic on journalism that doesn鈥檛 just tell what happened, but why.
It would be impossible to assemble a greatest-hits album of basketball chronicles and exclude聽New Yorker聽writer John McPhee鈥檚 profile of Bill Bradley during his days starring at Princeton. Younger readers may not know Bradley鈥檚 college hoops heroics 鈥 or what followed. He went on to play for the New York Knicks in the NBA and then served three terms as a U.S. senator from New Jersey before running for president in 2000. Pete Axthelm reveals the opposite end of the spectrum in 鈥淭he City Game,鈥 a gritty glimpse of the New York playground basketball wars featuring spectacular athleticism juxtaposed with devastating addiction and hardship, often within the same player.
Then there鈥檚 love of the game that goes way beyond that hoariest of clich茅s, as in Roy Blount Jr.鈥檚 profile of trick-shot specialist Wilfred Hetzel. Blount notes that Hetzel 鈥渉as made 144 straight foul shots standing on one foot鈥 and 鈥渂ills himself as one 鈥榦ne of basketball鈥檚 immortals,鈥欌 but, alas, 鈥渉as never learned to dribble.鈥
John Edgar Wideman explores what the neighborhood version of basketball means to two generations of his family (鈥淭he game, again like gospel music, propagates rhythm, a flow and go.鈥︹) while novelist Pat Conroy delves into his real-life disappointments playing college ball at the Citadel in South Carolina. George Kiseda tells the wrenching story of Perry Wallace, the first African-American varsity scholarship player to play for a Southeastern Conference university as a member of Vanderbilt鈥檚 team from 1967 to 1970.
As the latter examples demonstrate, Wolff does not limit his selections to just big-name players, or even just to the NBA and NCAA blue bloods such as Duke and North Carolina or Kansas and Kentucky.
And, thankfully, Wolff isn鈥檛 just thinking about the boys-to-men aspect of basketball.
Douglas Bauer鈥檚 鈥淕irls Win, Boys Lose鈥 features the author鈥檚 high-school crush, who happened to be a hard-nosed member of their small-town Iowa basketball team. Bauer played for the boys鈥 varsity squad, but just barely, whereas Sue, his girlfriend, was a fierce and talented competitor on the court. The girls鈥 team wasn鈥檛 just better than the boys鈥 team, it was also the subject of more adoration and constant analysis among the farmers and other residents of Prairie City.
Bauer tells of Sue鈥檚 single-minded focus and grace, circumstances that left him kissing nothing but air on the many winter evenings when he leaned toward her in his 1951 Dodge while parked in front of her house. Sue, in Bauer鈥檚 telling, 鈥渨ould execute as neat a head fake as Pete Maravich鈥 and hustle inside to continue her mental deliberations on the next game and the next opponent.
Speaking of head fakes, since you鈥檝e made it this far, reader, let鈥檚 savor the best of the best as a buzzer-beater before this review runs out of time.
I remember reading Gary Smith鈥檚聽Sports Illustrated聽profile of the late Pat Summitt 鈥 who died in 2016 of Alzheimer鈥檚 鈥 when it was published in 1998. At the time, Summitt, whose flinty-eyed visage on the magazine鈥檚 cover left no doubt that the founder of the Lady Vols鈥 Tennessee basketball empire was no one to trifle with, was in her prime. So was Smith, as a second reading of his story all these years later makes clear.
Still, titles and wins mean nothing when the person under discussion is shown on a recruiting visit not only while pregnant, but after having her water break on a private plane on the way to the recruit鈥檚 house聽and still refusing to turn around. That鈥檚 what Pat Summitt did, among many, many acts of relentlessness and determination, a terrific story birthed by Smith through what must have been a near-endless series of interviews (and re-interviews) with not just Summitt but everyone in her orbit.
With all of his hard-won nuggets in tow, Smith can, and does, describe Pat Summitt with absolute certainty: 鈥淵ou don鈥檛 know that she鈥檚 spitting Nature in the eye and kicking Time in the teeth.鈥
It鈥檚 a fitting tribute to one of the greatest coaches in the game鈥檚 history and one of many reasons this collection is a slam dunk for anyone who loves basketball.