Love and loss between the grooves
As an avid music reader, sometime reviewer, and teen of the 鈥�60s myself, I was sure I knew just about everything there was to know about Carole, Joni, and Carly 鈥� three of the biggest singer/songwriter stars in the 鈥�60s and 鈥�70s.
Carole King was the precocious Brooklyn high schooler who boarded the subway immediately after her last class and shot up to the famed Brill Building to write hit songs for the Drifters, Bobby Vee, and the Shirelles before she was out of her teens. She went on to pen Aretha Franklin鈥檚 soul-sister anthem 鈥淎 Natural Woman鈥� and her 1971 鈥淭apestry鈥� is one of the most beloved albums of all time.
Joni Mitchell鈥檚 roots are in the plains of rural Saskatchewan, from which she fled to make her name as a folksinger in Toronto. Soon her beauty, heavenly voice, and astoundingly mature songwriting enchanted the world and spawned an entire generation of 鈥渃onfessional鈥� singer/songwriters.
Carly Simon emerged as the uninhibited New York City rich girl whose racy album covers and songs 鈥淵ou鈥檙e So Vain鈥� and 鈥淎nticipation鈥� signaled a bold, new attitude for female songwriters. Her very public marriage to James Taylor and their onstage duets made them the darlings of 鈥�70s soft rock.
But Girls Like Us, an ambitious collective biography by six-time author and magazine journalist Sheila Weller, showed me exactly how much I didn鈥檛 know.
Weller centers her study of all three women on their romantic relationships. By the trio鈥檚 own admissions, their artistic temperaments 鈥� 鈥渘eurotic,鈥� 鈥渘eedy,鈥� and 鈥渃onfrontational鈥� 鈥� made them difficult to love. But their enormous talents have also demonstrated remarkable longevity, with each still writing and recording well into her 60s.
Weller relies on the recollections of former spouses, lovers, friends, and mentors to paint portraits of these three women whose private love affairs, heartbreak, and tumultuous relationships profoundly informed their public art.
This absorbing, well-reported book chronicles a time when women in all walks of life were exercising new-found freedom. And as icons of that era, nobody did it better.
John Kehe is the Monitor鈥檚 design director.
