海角大神

To explain Jerusalem鈥檚 conflicts, she wrote a young adult novel

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ARIEL JEROZOLIMSKI/BLACK ROSE WRITING
RUTH MARKS EGLASH AUTHOR OF PARALLEL LINES

In her debut novel, 鈥淧arallel Lines,鈥 Jerusalem-based journalist Ruth Marks Eglash invites readers behind the headlines of the Israeli-Palestinian conflict. Published over the summer, the young adult tale follows a trio of teenage girls from three distinct worlds 鈥 secular Jewish, Haredi (ultra-Orthodox) Jewish, and Palestinian Muslim. Together they navigate the complexities of their shared city of Jerusalem along with the challenges of adolescence. Ms. Eglash, who has reported for The Washington Post and The Jerusalem Post, spoke recently with the Monitor.聽 聽

Why write a young adult novel?

It was a little bit by accident. I really wanted to explain the Israeli-Palestinian conflict. It鈥檚 a bit like a soap opera. I thought, what鈥檚 [an easier] way to explain it than through the eyes of young people? At the time, my kids were teenagers. My daughter, Gefen, was going to middle school right in the center of Jerusalem. ... On the one hand, I was writing articles for The Washington Post and explaining [the conflict] on a high level, and then I was explaining it to Gefen on a [different] level. I thought this would be beneficial to everyone else to have it explained in these simple terms.聽

Why We Wrote This

A well-crafted novel can often portray the humanity of people swept up in conflict zones better than some news reports. Three fictional teenagers in Jerusalem provide an opening for dialogue and change.

The main characters 鈥 Tamar, Rivki, and Nour 鈥 offer windows into three of Jerusalem鈥檚 鈥渢ribes.鈥 Which character taught you the most while you were writing?

I think Rivki [the Haredi girl] is fascinating. ... If someone is brought up in the confines of a certain community and all they know is those traditions and that culture, how do they see the world from the outside? ... These 鈥渢ribes,鈥 as you call them, are very strict; there is no mixing between them. ... So how is there a way for [young people] to interconnect? What makes someone look outside of what they鈥檙e being told as a child? What makes someone do something else or think in a different way?

The Israeli-Palestinian situation is like a kaleidoscope of conflicts 鈥 grievances, losses, resentments, misunderstandings 鈥 that breaks into different patterns almost based on the individual. Does that ring true?

When you hear about the conflict from outside, it seems straightforward: It鈥檚 two different groups, and they鈥檙e fighting each other. But when you get inside it, it becomes more complicated. It鈥檚 not an issue of who鈥檚 right and who鈥檚 wrong, because everyone is right and wrong. I really wanted to get at the nuances.

Your three protagonists are incredibly resilient. What other qualities did you feel were important for them to demonstrate?

These are young people who are grappling with their teenage angst or issues as any teenager would anywhere. But on top of that, they have to deal with this adult conflict, which is all around them. So, they have no choice. They have to be resilient.聽

I really wanted to explore this idea that a person can go against the grain 鈥 that you鈥檙e not necessarily going to follow what your friends are saying, and that you have to come to conclusions by yourself. What influences those decisions? How do we get to a point where young people are militarized? A few of Nour鈥檚 friends are, and a few of Tamar鈥檚 friends are 鈥 they鈥檝e become very militant about issues. And both Nour and Tamar push back. I wanted to explore the idea that a young person could do that ... and not be drawn into the nationalistic arguments that are surrounding them each day. It鈥檚 very difficult to do.

You鈥檝e been in Israel for almost three聽decades. What鈥檚 one of the biggest changes you鈥檝e witnessed during that time?

I realized ... that the Oslo Accords were signed exactly 30 years ago, in 1993, and I came [to Jerusalem] a few years after that. There was this euphoria in the mid-to-late 鈥90s of peace, of a possible solution.聽

Obviously, that hasn鈥檛 worked out. But I think a lot of people still think about that time, especially people my age and older. ... Today, the younger generation that was born during the second intifada, 15 to 20 years ago, they have no recollection of that time. They only grew up with division, with barriers and walls. ... For Israelis, they only see Palestinians carrying out acts of violence, and it鈥檚 the same on the other side: The Palestinians only see Israelis as soldiers. The second intifada really took Israelis toward the right, which is what we鈥檙e seeing today in the political situation. It also [made] young Palestinians [more extreme]. They鈥檝e lost hope; they鈥檝e given up any hope of having a country.聽

Do you have hope?

On one hand, I鈥檓 not hopeful. I don鈥檛 believe there will be a solution as it was envisaged 30 years ago. We鈥檝e moved away from that, and so we need to think again.聽

But I am hopeful because young people are resilient and can go against the grain.聽I was very impressed with the young women ... that I met with [for the book]. ... They were smart young women who [understand that] we鈥檙e all here living together. The Israelis are here, and the Palestinians are here. No one鈥檚 going anywhere. There needs to be a way.

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