海角大神

Drive by Montreal's massive Mount Royal Park and you might see a drum circle or the local Jimi Hendrix impersonator out perfecting his moves. Enter the city鈥檚 extensive metro, and chances are there鈥檒l be a musician waiting for your spare change. And just ask residents where to find Leonard Cohen 鈥� many can point you to his favorite bar.

In almost every corner of this city, there鈥檚 a sense of creating art for the love of art 鈥� or as they say in Montreal, 鈥�l鈥檃rt pour l鈥檃rt.鈥�

Because much of the art world is driven by Canadian government funding, it has allowed many performers to take their craft professional and buoyed the local arts scene. While much of the world's art world took hits because of global economic distress, Canada's has remained vibrant.聽

Of course, it also helps to have history on your side. Just as actors move to Los Angeles hoping for their great discovery in the isles of the local grocery store, and musicians move to Nashville with dreams of the Grand Ole Opry, performers migrate to Montr茅al after being dazzled by Cirque du Soleil.

Established in 1984, the renowned Quebecois stage show is now based in Montreal, drawing acrobats from around Canada and the world who are eager to flip, twist, and sometimes swim, their way to fame.聽

鈥淎 lot of acrobats live up here, because the headquarters are here,鈥� says Eric San, the DJ and turntablist better known as Kid Koala. Having lived in the city for more than a decade, he鈥檚 seen evidence of performance in nearly every neighborhood.

鈥淚 was in the video store, and I saw these people glide along, and realized they鈥檙e riding unicycles in the video store,鈥� he recounts, laughing at the memory. 鈥淭hey鈥檙e looking for videos, but they鈥檙e practicing at the same time."

Performers Isabelle Kirouac and Elise Lessard-Mercier are currently performing as 鈥渓adies of a certain age,鈥� perched on balconies constructed around their stilts. They have trained and worked professionally in gymnastics and theater, respectively.

Having toured with troupes internationally, they both say that not having to scrounge to make ends meet makes all the difference. Many here performers聽receive聽government聽assistance.聽Within the city of Montreal,聽The Conseil Des Arts De Montreal聽annually supports more than 350 cultural organizations.聽

鈥淐anada is really good for funding the arts, especially Quebec,鈥� says Ms. Kirouac.聽

鈥淚n Quebec, Montr茅al is the best,鈥� Ms. Lessard-Mercier chimes in, grinning through layers of old woman face paint. 鈥淚 am sure of that. Many things we can participate in. We cannot work on stilts in small cities.鈥�

All this funding pays off. Inundated with art, the crowd seems trained to appreciation performance in a considerate, engaged way. Wanderson Damaceno and Michel Gionet, who perform as two oversized flamingos 鈥� Les Deux Flamants 鈥� and have worked festivals and streets both at home in Montr茅al and Brazil, see the difference.

鈥淧eople pose for pictures with us,鈥� says Mr. Damaceno, mulling over his recent experience at the city's famous jazz festival in July. 鈥淣ot just kids. Grown men, women, [they say] 鈥業t鈥檚 beautiful can I take a picture?鈥� It鈥檚 new for us. It鈥檚 not just for kids.鈥�

But it鈥檚 not just the crowd that enjoys the interaction. The admiration flows both directions, says F茅lix Imbault, a performer who wandered聽the streets on stilts in a heavy coat and top hat as flirty Steampunk character 鈥淧rofesseur Anachronic鈥澛燿uring the jazz festival.聽

鈥淚 really try to animate people who seem a bit lonely, and seem to be alone and don鈥檛 have any friends around them,鈥� he says. 鈥淚 try to go and see them and greet them, to have a personal impact on people who could be alone.鈥�