海角大神

海角大神 / Text

In Pictures: Where Kashmiri potters fire an ancient art form

A community of Kashmiri cave potters tries to preserve an ancient way of life, while conservation efforts would save the caves but move the people.聽聽

By Meher Qadri , Contributor Sharafat Ali , Contributor
Srinagar, India

How do you save a historically significant cultural area without displacing the very people who make it unique? This is the situation facing the Kumhars of Banmir village, artisans whose ancestry traces back to the Neolithic potters of the region known as Gufkral (in Kashmiri, gufh means 鈥渃ave鈥 and kral means 鈥減otter鈥).聽

Archaeologists, who began excavation in 1981, have found artifacts dating back to 2000-3000 B.C., including polished stone celts (similar to an ax or hoe) and other tools made from stone and bone.

A government plan to conserve the ancient caves would protect the archaeological legacy while threatening to upend the lives and聽 livelihoods of the Gufkral community. The multichambered caverns are not only home, studio, and warehouse to 15 remaining Gufkral households, but also part of the potters鈥 lineage and identity.聽

If the families are forced to leave, the area will lose a key cultural resource. It is not the caves alone that are a part of the Neolithic history of Kashmir: The Gufkral community is equally important to understanding these caves as a living system instead of mere dug-out hollows.

The inhabitants have persisted despite the hardships of making a living from their craft. 鈥淚 have been a potter for the last 60 years, as my ancestors did for centuries,鈥 says Assadullah Kumar. 鈥淏ut our children are now inclined toward new opportunities that would bring a stable income.鈥 Young people are more apt to pursue an education, work as day laborers, or take up farming, he says. 聽

Manzoor Ahmad Kumar (the potters use variations of 鈥淜umhar鈥 as their last names, but they are not all related) grew up working with clay. As the land around the caves is sold off for residential and agricultural purposes, he says the potters face difficulties in obtaining the soil used for their earthenware.聽

Women as well as men contribute to the family business. Says Mehmooda Bano, 鈥淢y husband and I work very hard to keep this ancient craft alive.鈥澛