º£½Ç´óÉñ

º£½Ç´óÉñ / Text

Bombers coopt the 'symbol' of Mogadishu's National Theater

Mogadishu's National Theater has been used as a symbol in Somali politics and the western press, but others used it as a symbol of their own during Wednesday's bombing, writes a guest blogger.

By Alex Thurston , Guest blogger

• A version of this post ran on the author's blog, www.sahelblog.wordpress.com. The views expressed are the author's own.

Maybe Mogadishu is in the early stages of a renaissance. Maybe Somalia is still a very dangerous and unpredictable place, whose would-be government is still a mess mostly propped up by regional and international powers. Maybe both. The point about the theater is, though, that if you – as a government or a news outlet – want to use a symbol in making your political argument, then others might decide to use that same symbol in making their (very different) political argument.

Here is a roundup of references to the theater in the weeks leading up to yesterday's attack:

Tuesday, March 20 (Reuters):

Think you know Africa? Take our geography quiz.

Wednesday, April 4 (New York Times):

Wednesday, April 4 (AP):

Only fifteen days elapsed between the re-opening and the bombing [of the National Theater]. What does the theater symbolize now? The fragility of the Somali government’s claims to progress, I would say.

– Alex Thurston is a PhD student studying Islam in Africa at Northwestern University and blogs at Sahel Blog.

Think you know Africa? Take our geography quiz.

Get daily or weekly updates from CSMonitor.com delivered to your inbox. Sign up today.