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Late night's Letterman to retire: Did Gen X's oracle ever succeed at CBS?

David Letterman is a baby boomer (hence the retirement thing), but he helped define the voice of the younger Generation X 鈥 ironic, self-mocking 鈥 during his earlier 'Late Night' show on NBC. 

By Harry Bruinius, Staff writer
New York

David Letterman may be a baby boomer, but he was an early patron saint for the Generation Xers who came of age in the 1980s, when television became their all-encompassing cultural medium, its commercials and marketing defining their lives.

Letterman, whose 32 years at the helm of a late-night talk show makes him the longest-running host in the history of the genre, announced he will retire from CBS鈥檚 鈥淟ate Show With David Letterman鈥 in 2015, when his current contract expires.

But it was during his 11-year run on NBC鈥檚 鈥淟ate Night with David Letterman,鈥 which ended in 1993 after a decade following the iconic 鈥淭he Tonight Show,鈥 that the grinning, gap-toothed comedian gave an early voice to the age of irony, revolutionizing a genre that had been defined by the bemused wise-cracking of more-staid hosts such as Steve Allen and Johnny Carson.

Indeed, when "Late Night" ended and Letterman moved to CBS to compete with longtime rival Jay Leno 鈥 who filled Carson鈥檚 chair at "The Tonight Show," a position Letterman craved 鈥 his act was never the same. "Late Show" never resonated with this one-hour-earlier audience the way that "Late Night" did with the younger generation who watched him in the '80s, and Leno beat him in the ratings for two decades.

But some 25 years ago at NBC, Letterman changed television, becoming the jokester who made fun of telling jokes, the TV personality who made fun of TV personalities, and the corporate shill who, in effect, made fun of corporate shilling.

He brought on the head of industrial sales for Velcro and, donning a full-body Velcro suit, trampolined onto a fuzzy wall 鈥撀燼nd stuck. He took the 鈥減lop plop fizz fizz鈥 jingle of Alka-Seltzer and again, donning a suit covered with 3,400 of the white antacid tablets, plopped into a large glass aquarium of water and fizzed. 聽And when General Electric took control of NBC in 1986, he tried to bring a congratulatory fruit basket to his new corporate parents. 聽 聽 聽聽

鈥淚t was the early version of being 鈥榤eta,鈥 " says Richard Laermer, a culture critic and author who heads RLM Public Relations in Manhattan. 鈥淚t was anti-television on television, which was why people watched it.鈥 (The term 鈥渕eta鈥 refers to creative works that are slyly self-conscious about the conventions of their genres.)

鈥淗e also made the joke about the celebrity for coming on his show, those doing the whole celebrity-movie-plug deal,鈥 Mr. Laermer continues. 鈥淏ut he also gave them the opportunity to do it, and participated in the game. In a sense, it was like, here鈥檚 a pie in your face, but I鈥檒l play along with the game anyway. And I think audience members really got into that. What鈥檚 he going to do to Farrah Fawcett tonight?鈥

Letterman created the NBC show in 1981 with his mentor and long-time idol, Johnny Carson, whose Carson Productions teamed with Letterman鈥檚 Space Age Meats Productions. Their idea was to target younger men, especially, because back then there wasn't much late-night programming catering to them.

鈥淟etterman was a rare voice of authenticity cutting through the clutter of Reagan-era marketing and propaganda,鈥 e-mails Aram Sinnreich, a media professor at Rutgers University School of Communication and Information in New Brunswick, N.J. 鈥淭o those of us raised in the late Cold War, his flights of televised absurdity were sweet enough to make us smile, but just sharp enough to puncture the layer of phoniness and hype that blanketed nearly every broadcast on every medium.鈥

Professor Sinnreich recalls staying up late to watch Letterman in the mid-'80s, and then going to school the next day and acting out some of Dave's bits with his friends. Many others recorded the show on those new things called VCRs and watched it in the morning before heading out to school.

鈥淲atching him felt like being in on an inside joke,鈥 says Sinnreich. 鈥淟ike he was getting away with something. Deconstructing network BS.鈥

Compared with those who experienced the earnest cultural revolutions of the 1960s, and even the more bacchanalian aggressiveness of the 1970s, the Gen Xers of the 1980s spent a lot of time talking and laughing about realities mediated through TV 鈥 from Saturday morning cartoons to 鈥渁fter school specials鈥 to McDonald鈥檚 jingles sung as a hearty chorus in school cafeterias.

Letterman joked about the all-pervasive power of TV among youths in a 1983 sketch 鈥淭hey Took My Show Away鈥澛犫 a parody of the after-school genre. In the sketch, Dave explains to a little boy that his favorite show, 鈥淰oyagers,鈥 had been canceled. The boy is inconsolable, and says, 鈥淚 don鈥檛 think I鈥檒l ever watch TV again!鈥 Letterman says, 鈥淛immy, don't ever say that. Not even as a joke," going on to extol the new fall lineup for NBC.

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The faux end credits read: 鈥溾楾hey Took My Show Away鈥 was made possible through a generous grant from the President鈥檚 Council For Longer Television Hours For Children.鈥

For many, Letterman鈥檚 comedy could both embrace the shared history of a generation reared on television, and at the same time undercut it ironically as being absurd and meaningless. Like most irony, it was a mask for a certain despair.

鈥淚rony has been around for centuries ... but Generation X has commandeered it and speaks it as their native tongue,鈥 wrote media scholar Mark Miller, author of 鈥淏oxed In: The Culture of TV,鈥 in a 1997 essay about Letterman. 鈥淲hy do Xers find David Letterman (a boomer, granted) so funny? Not because he tells great jokes, but because he mocks his own jokes. He stands outside himself and says, in effect, that the whole idea of his show is inane, and his entire twentysomething audience agrees 鈥 and laughs.鈥

While his run at the more conservative "Late Show" had its laughs, it never recaptured the innovating appeal of the earlier show.

鈥淯nfortunately for Letterman, he stayed way past his prime and he'll be remembered for being cranky and perhaps for dissing [Sen. John] McCain more than anything,鈥 says Laermer, the culture critic. 鈥淎ll the joy, ruckus, and fun from the [older] days are way behind him, and his inane jabs at Leno for 20 years have just made people roll their eyes.鈥