海角大神

The women, chatting back and forth, carry heavy drums and handfuls of drumsticks out into the courtyard. Without a word, they stand in front of their instruments. Suddenly, the drumming explodes with such joy that it鈥檚 impossible not to be carried away by the intensity.聽

We鈥檝e come to take in a rehearsal of Rwanda鈥檚 first all-female percussion group, Ingoma Nshya. The sound of the drums is interwoven with a choreography that involves songs, dances, jumps, and shouts.聽

Founded by Odile Gakire Katese in 2004, the project arose to heal divisions after the 1994 genocide, which left around 800,000 people dead. Ingoma Nshya provides a framework for Hutu and Tutsi women to come聽together in the spirit of sisterhood and reconciliation.聽

鈥淚 was very alone after losing my family, and joining the group brought me happiness again,鈥� says Agn猫s Mukakarisa, whose husband and children died in the genocide. 鈥淚鈥檝e even been able to travel around Rwanda with the group and go to Senegal for the first time.鈥澛犅�

Members of Ingoma Nshya also had to overcome cultural stereotypes: Traditionally, drums have been the exclusive preserve of men. 聽

鈥淭he group is an example for other women,鈥� says Marie Louise Ingabire, a member for 11 years. 鈥淎fter the genocide many men died and women had to step up to rebuild the country. ... Ingoma Nshya demonstrates the power that women have,鈥� she says. 聽

While memories of the violence persist, the women have found an outlet. Olive Ngorore speaks for many of them: 鈥淲hen I have problems, or when I have a thousand things in my head, I start playing the drums and everything disappears.鈥澛�