海角大神

The director of 鈥淓ternals,鈥� the new Marvel extravaganza, is none other than Chlo茅 Zhao, the indie auteur whose last film was the microbudgeted 鈥淣omadland.鈥� The road movie about rural itinerants won Oscars for both best picture and director, and for star Frances McDormand. In style and substance, I can鈥檛 think of two more disparate films. Unlike some of my colleagues, however, I don鈥檛 regard Zhao鈥檚 Marvel makeover as a simple case of selling out. But before I elaborate on that, here鈥檚 a more pressing question: Is the film any good?听

I鈥檓 not a big Marvel person, but I recognize the need for these films to exist; they鈥檙e the cinematic equivalent of the circus coming to town. A few of them, such as 鈥淚ron Man,鈥� 鈥淏lack Panther,鈥� and 鈥淎vengers: Endgame,鈥� were good. 鈥淓ternals鈥� is subpar in comparison. It comes across like the B side to the 鈥淎vengers鈥� movies, with almost none of their star power or CGI pizazz.

The Eternals are shadow warriors sent to Earth thousands of years ago to save it from the monstrous Deviants, who resemble befanged supersize renegades from 鈥淎 Quiet Place.鈥� Thanks to the Eternals, earthlings have never heard of Deviants but, alas, they鈥檝e returned 鈥� after 500 years 鈥� more ferocious than ever.听

The Eternals include Sersi (Gemma Chan), first seen in modern-day London and looking happily human paired with her earthly lover (Kit Harington). Her Eternals lover, Ikaris (Richard Madden), with whom she has had an off-and-on romance for millennia, suddenly shows up to complicate matters. He and the other superheroes, scattered around the globe in their various guises, are roused to once again decimate the Deviants.

It鈥檚 noteworthy that the Eternals are, by Hollywood superhero standards, remarkably diverse, with several other Asian actors besides Chan 鈥� including Don Lee鈥檚 rollicky Gilgamesh and Kumail Nanjiani鈥檚 wisecracking Bollywood heartthrob Kingo 鈥� in starring roles. Brian Tyree Henry鈥檚 genius inventor Phastos not only is an openly gay Black man but also is married and a father. Lauren Ridloff, who is deaf, plays the deaf speedster Makkari.

But, except for Angelina Jolie, who plays the warrior Thena, none of the film鈥檚 performers is especially luminescent. Even Jolie, in her too-brief role, seems a bit distracted. She periodically goes murderously rogue against her helpmates, which turns out to be more tiresome than thrilling. Even if Zhao and her co-screenwriters were more adept at establishing the family-style togetherness of the Eternals, the emotional continuity is shattered by the incessant time tripping and globe hopping. Just when you think you鈥檝e got your bearings in South Dakota, you suddenly find yourself in Mesopotamia.听

Still, I don鈥檛 think Zhao should be chided for attempting a film so seemingly outside her comfort zone. (She has professed a love of manga.) No director 鈥� least of all a female director, for whom job opportunities are particularly unplentiful 鈥� should have to commit to a career of specialization. The only qualm I have about 鈥淓ternals鈥� is that it鈥檚 not better. (And, for the record, I was mixed on 鈥淣omadland鈥� and her earlier indies.)

Is Zhao perhaps the victim of a double standard? There was no big selling-out hoo-ha when Ryan Coogler, who made his name with the powerful indie 鈥淔ruitvale Station,鈥� graduated to 鈥淐reed鈥� and 鈥淏lack Panther.鈥� The combined budgets of Christopher Nolan鈥檚 first two films, 鈥淔ollowing鈥� and 鈥淢emento,鈥� wouldn鈥檛 pay for the caterer on his 鈥淏atman Begins.鈥�

It鈥檚 also quite possible to achieve moments of emotional intensity in superhero movies matching anything in the indie realm. Case in point: Tony Stark鈥檚 death scene in 鈥淎vengers: Endgame,鈥� which features Robert Downey Jr. at his most moving. In an ideal world, I would wish for filmmakers to mix it up micro and macro, the way, say, Steven Soderbergh does. But that鈥檚 just me. If indie filmmakers want to exit the byways and enter the circus tent, there will be others to take their place. In the end, the only thing that really matters is that the movies be good.

Peter Rainer is the Monitor鈥檚 film critic. 鈥淓ternals鈥� is rated PG-13 for fantasy violence and action, some language,听and brief sexuality.

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