海角大神

海角大神 / Text

Grab your oar: 鈥楯ungle Cruise鈥 takes viewers on a wild ride

Spirited 鈥淛ungle Cruise鈥 is fueled by energetic acting that helps it to rise above its commercial origins.

By Stephen Humphries, Staff writer

鈥淛ungle Cruise,鈥 opening July 30, is just the latest of many movies Disney has based on its theme park rides 鈥 from 鈥淧irates of the Caribbean鈥 to 鈥淐ountry Bears鈥 to 鈥淭he Haunted Mansion鈥 to 鈥淭omorrowland.鈥 What鈥檚 left? If viewers end up having as much fun as the 鈥淛ungle Cruise鈥 actors do on screen, would Disney move on to 鈥渋t鈥檚 a small world鈥? Perish the thought.

Emily Blunt plays Lily Houghton 鈥 essentially a female Indiana Jones 鈥 who ventures to the Brazilian jungle in 1916. Dwayne Johnson (aka The Rock) plays Frank Wolff, the skipper of a small steamboat who ferries her up the Amazon. Lily鈥檚 patrician brother MacGregor (Jack Whitehall) also tags along for the ride. Their quest: find a mythical and mystical flower called Tears of the Moon. The trio is pursued by a German military commander, Prince Joachim (Jesse Plemons), who believes that the flower鈥檚 healing powers will help his nation win the Great War. Additional dangers lie in store, from perilous waterfalls to a tribe of alleged man-eaters in the jungle.

The movie version of 鈥淛ungle Cruise鈥 adapts some of its story points from the original theme park ride (though some aspects, such as the depiction of the tribe as primitive cannibals, have been revised 鈥 in keeping with recent updating to the attraction). Yet the movie mostly steals the best parts of other movies, including 鈥淭he Mummy鈥 and 鈥淧irates of the Caribbean.鈥澛

To compensate for the lack of originality, the screenwriters have assembled familiar ingredients.聽For instance, Lily and Frank bring a humorous twist to the rope swing sequence lifted from the 鈥淩omancing the Stone鈥 poster. During an action scene reminiscent of 鈥淩aiders of the Lost Ark,鈥 James Newton Howard鈥檚 score for 鈥淛ungle Cruise鈥 pays homage to John Williams鈥 soundtrack from that earlier movie. Johnson as Frank even models the very same cap that Humphrey Bogart wore in 鈥淭he African Queen.鈥澛

Like Katharine Hepburn in the aforementioned movie, Lily wears a pair of trousers. Bemused at her unconventional clothing, Frank takes to calling her Pants. Her retort is to nickname him Skippy. The wonderful comedic chemistry between the duo keeps the movie floating well above the waterline when it gets bogged down聽with CGI-heavy action. Johnson is in his wheelhouse in more ways than one 鈥 with the boat captain leaning on his natural charm, even when he鈥檚 selfish and duplicitous.聽

Following a string of mostly serious roles, Blunt lets her hair down, just like her character does. (Kudos to her for the rare feat of not looking completely ridiculous in a pith helmet.) 鈥淛ungle Cruise鈥 is the first movie in quite some time to fully tap into her vivacious star power. The two leads aren鈥檛 the only ones having a blast. Plemons is a hoot as a pompous villain who isn鈥檛 averse to breaking into song with his crew of henchmen. Paul Giamatti shows up with a dubious Italian accent and a parrot on his shoulder.

The production鈥檚 level of craftsmanship is high. Yet director Jaume Collet-Serra never does anything that鈥檚 artistically risky. (The closest the movie gets to a left-field choice is roping in Metallica to perform an orchestral-rock version聽of their song 鈥淣othing Else Matters鈥 during an intense action scene.)聽Everything is carefully calibrated to be on-brand for Disney. So a scene in which someone comes out as gay seems like an effort to redress criticism about the corporation鈥檚 lack of (openly) LGBTQ characters. The sensitively played revelation is accepted with grace rather than judgment. But it鈥檚 not particularly believable for the time period.聽

Similarly, the modern-day take on colonialism, Indigenous people, and gender roles聽can feel as if it wandered in from another era and sticks out, like, well, a hippopotamus on the riverbanks of the Amazon.聽Which is to say that 鈥淛ungle Cruise鈥 was never authentic in the first place. That goes for the location filming, which took place in Georgia and Hawaii rather than South America. The jungle鈥檚 creatures and landscape shots are all pixel dust. We鈥檙e not expecting believability.

The one thing that isn鈥檛 artificial 鈥 the most important element of all 鈥 is the movie鈥檚 spirit. Acting in franchise blockbusters often amounts to get-the-job-done professionalism. In 鈥淛ungle Cruise,鈥 however, the actors approach the material as if they鈥檙e enjoying a day out at Disneyland. At one point, Blunt grabs hold of a rope and pauses to beam with unfeigned glee. Then the actor gets hoisted up, but she鈥檚 already soaring.聽

鈥淛ungle Cruise鈥 is in theaters and available to stream for an additional fee starting July 30 on Disney+. The film is rated PG-13 for sequences of adventure violence.