海角大神

海角大神 / Text

'Wonder Woman' has a frisky, friendly spirit

Stars Gal Gadot and Chris Pine share a charming chemistry and director Patty Jenkins and screenwriter Allan Heinberg don't overdose on the violence, despite the film's World War I setting.

By Peter Rainer , Film critic

As franchise superhero movies based on DC Comics go, 鈥淲onder Woman鈥 is not half bad. How鈥檚 that for a ringing endorsement? It鈥檚 overlong at 141 minutes and suffers from too much origin story exposition and middling CGI effects, but it has a frisky, friendly spirit that perfectly aligns with its wide-eyed lead actress, Gal Gadot, who plays the eponymous Wonder Woman, aka Diana, Princess of the Amazons.

Gadot, complete with elasticized red, blue, and gold costume; weighty sword; battle shield; and, of course, the Lasso of Truth,聽is well-teamed with Chris Pine as Steve Trevor, an American spy who ends up enabling Diana's quest when he isn鈥檛 going politely gaga in her presence. (He鈥檚 the first man she鈥檚 ever seen and wonders if he is an average specimen. 鈥淎bove average,鈥 he volunteers.) As opposed to most comic book superhero movies, 鈥淲onder Woman鈥 isn鈥檛 a nonstop clobberfest.

Set in 1918 at the height of World War I (a switch from the World War II setting of the original comic book, which was created by William Moulton Marston), the film has Wonder Woman progressing from her Amazonian all-female island of Themyscira to London and then the fighting trenches in her heroic effort to annihilate Ares, the god of war, who she believes is responsible for all wars, and whose demise would bring eternal peace to the planet. How naive, you may think. Until, of course, Ares actually does show up (this is where the CGI gets middling). But here鈥檚 a spoiler alert: Ares or no Ares, there鈥檚 no way going forward that the 鈥淲onder Woman鈥 franchise will dispense with war.

At least the director, Patty Jenkins, and the screenwriter, Allan Heinberg, don鈥檛 overdose on the violence. This is not 鈥淎ll Quiet on the Western Front鈥 in spandex. It鈥檚 worth noting that this is the first superhero franchise movie directed by a woman, and one of the very few featuring a woman. (Let鈥檚 not forget, or perhaps we should, 鈥淐atwoman,鈥 starring Halle Berry.) Jenkins has stated in interviews that she wants the film to be empowering to young women; she even made sure the rating would be PG-13 in order to bring in younger female fans.

This means that a rather chaste air hangs over the film; when Diana and Steve, for example, share a kiss and presumably proceed to the boudoir, the scene fades out pronto. But the chemistry between these two is so charming that you don鈥檛 feel cheated. In a movie with lots of (mostly) well-staged action, the sequences in 鈥淲onder Woman鈥 that stand out are nevertheless the simple ones, such as the scene in London where Diana, attempting to fit into a world she has never before seen, goes shopping for suitable Edwardian women鈥檚 wear. The best parts of 鈥淲onder Woman鈥 are frivolous in the best way. Grade:聽B- (Rated PG-13 for sequences of violence and action, and some suggestive content.)