海角大神

海角大神 / Text

Illuminated urban canvas

Nuit Blanche or 'white night' evening events, which began in Paris, aim to connect projection artists with the public.

By Fabien Tepper, Staff writer

As twilight gives wayto dark on a warm fall night in Boston鈥檚 South End, a 12-foot-tall human face emerges from the side of an old brick power plant. A bright light shines on its blank, faceted features, made of triangular white boards bolted together. Suddenly the superimposed face of a laughing woman fills its empty angles with life.

The piece is a 3-D multimedia artwork called 鈥淵our Big Face,鈥 and the laughing woman, who is facing it from the other side of a camera and projector, is just one of the crowd visiting Illuminus, a public festival of new media art.听

鈥淚nteractive public art is a beautiful way of engaging an otherwise passive audience,鈥 says Dan Sternof Beyer, who created 鈥淵our Big Face鈥 with his company, New American Public Art.

Illuminus is one of a series of Nuit Blanche or 鈥渨hite night鈥 evening events that have sprung up since the turn of the millennium, beginning in Paris, to connect projection artists with the public.

鈥淚t鈥檚 intended to transform people鈥檚 perception of public space,鈥 says Jeff Grantz, an artist who has been the driving force behind Boston鈥檚 event.听

Since 2002, Nuit Blanche festivals have spread across 120 cities worldwide, including Barcelona, Spain; Buenos Aires; Montreal; St. Petersburg, Russia; Havana; Melbourne, Australia; New York; and now Boston. The outdoor, urban backdrops allow artists, designers, and technicians to collaborate on large-scale works.听

Projected onto another tall Boston building, programmer and artist Cindy Sherman Bishop鈥檚 piece, 鈥淭he Way You Move,鈥 detects visitors鈥 motions and translates them into digital distortions that ripple through footage of water in a plumbing pipe. Down below, two children dance inside squares of light; above them, their movements smear a kind of digital finger paint across the bricks. 听

To Mr. Grantz, these events are about refreshing people鈥檚 relationships to their own neighborhoods. 鈥淏ring them to an environment they may have seen a hundred times,鈥 he says, 鈥渁nd show it to them through the lens of an artist.鈥