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As Universal Pictures geared up for the release of 鈥淪traight Outta Compton,鈥� a biopic about the pioneering rap group N.W.A., last summer, it faced a dilemma 鈥� how would the studio market the movie to audiences that weren鈥檛 familiar with the group?

Its solution, revealed on Wednesday by Doug Neil, Universal鈥檚 executive vice president of marketing, was to create separate versions of the film鈥檚 trailer, which were then targeted individually to white, black, and Latino users on Facebook, Business Insider reports.

At a panel at the South by Southwest conference, Mr. Neil said that Universal鈥檚 鈥渕ulticultural team鈥� of marketers created separate trailers for different audiences, with the trailer for the 鈥済eneral population鈥� (or viewers who are not African-American or Latino) focusing primarily on the rise of Ice Cube and Dr. Dre as business moguls.

That鈥檚 because this group connected with Ice Cube as an actor and Dr. Dre as the face of the Beats headphone brand, not as musicians, he said.

Coming in the midst of the #OscarsSoWhite campaign sparked in part by this year鈥檚 Academy Awards featuring an all-white slate of nominees for top awards for the second year in a row, revelations of this strategy of 鈥渞acial marketing鈥� drew controversy.

鈥淚t's an excuse that would only be plausible if we weren't talking about one of the biggest rap groups in history, who are being inducted into the Rock and Roll Hall of Fame (one of the whitest institutions in music) next month 鈥� or the hugely successful solo careers of both Dre and Cube,鈥� wrote Vulture鈥檚 Dee Lockett.

The identification of Dr. Dre 鈥� who is often credited as single-handedly defining the sound of West Coast rap in his work as a producer 鈥� mainly with Beats is also striking.

When the company became part of Apple in 2014, a Wall Street Journal profile described him as a 鈥減erfectionist,鈥� and compared him with Apple co-founder Steve Jobs. But he declined to be interviewed, while a New York Times story focused almost exclusively on his business partner, the music mogul Jimmy Iovine, who appears briefly in 鈥淪traight Outta Compton.鈥�

But in the wake of the release of the film and his album 鈥淐ompton,鈥� his first since 1999, he鈥檚 spoken frequently about the new album and the film鈥檚 portrayal of N.W.A.鈥檚 rise.

The trailer Universal targeted at African-Americans was quite different. Universal assumed this segment of the population was familiar with N.W.A., and created a trailer that opens with the word 鈥淣.W.A.鈥� and uses it throughout the trailer, according to Neil.

鈥淭hey put Compton on the map,鈥� he said, echoing a phrase members of the group had used in their lyrics.

The trailer produced for Hispanic viewers was shorter and included flashing quotes in Spanish.

Because Facebook doesn鈥檛 ask users to self-identify by race, the Universal marketers used the site鈥檚 tools to define who would see each version of the trailer using so-called 鈥渁ffinity groups.鈥� To do this, advertisers analyze what people post in order to determine their ethnicity.

For example, according to the site Search Engine Watch, this could include creating a search string such as 鈥� 鈥榓m [ethnicity],鈥� 鈥榩roud [ethnicity],鈥� 鈥榌ethnicity] pride,鈥� 鈥榌ethnicity] American].鈥� 鈥�

Recutting trailers to target specific audiences also doesn鈥檛 appear to be unusual. The 2011 film 鈥淭he Adjustment Bureau,鈥� which combined aspects of a thriller and a romance, was marketed using separate trailers aimed at women and at men, write Al Lieberman and Patricia Esgate in their 2011 book "The Definitive Guide to Entertainment Marketing."

鈥淭he trailers were accurate in their use of footage from the film but simply focused on the action and drama for the male audience and made the romantic scenes more prominent and expansive for the female audience,鈥� they write. 鈥淣either audience was disappointed because both were satisfied by the story, content, and elements each was seeking."

The trailers were 鈥渁 great marketing success,鈥� they say.

Neil, the Universal executive, described 鈥淪traight Outta Compton鈥�, which grossed more than $160 million in the US, as a 鈥渂reakout hit,鈥� which had so-called crossover appeal beyond African-American audiences. He said the marketing technique was highly successful.

At this year鈥檚 Oscars, host Chris Rock focused particularly on the #OscarsSoWhite controversy, at one point turning the idea of a 鈥渃rossover hit鈥� on its head with a sketch 鈥� similar to one he had done in a previous stint as host 鈥� that featured interviews with moviegoers outside a theater in Compton.

In it, he asks them if they鈥檝e seen the nominees for Best Picture. While nearly all had seen 鈥淪traight Outta Compton鈥� 鈥� which was snubbed 鈥� other movies provoked surprise.

鈥淗ow about 'Bridge of Spies?' " Rock asked one woman.

鈥淲here are you getting these movies from?鈥� she said, laughing. 鈥淵ou鈥檙e messing with me, you鈥檙e making up some.鈥�

鈥淣o, these are real movies!鈥� he responded.

鈥淣o, it鈥檚 not,鈥� she said, gesturing to the theater. 鈥淚 watch movies, I come to the movies all the time.鈥�