海角大神

Elyse Durham鈥檚 debut novel, 鈥淢aya & Natasha,鈥� hooked me with its premise: Twin sisters vie for a single spot at the famed Kirov Ballet in Leningrad.聽

It鈥檚 the height of the Cold War, and the Soviet Union and the United States are locked in a battle of wills. It鈥檚 not a stretch to say that the two sisters, like the two superpowers, both need and resent each other.聽

The twins are 18 years old when we meet them, in their final year of training before auditioning for the Kirov. Durham skillfully builds the insular world of a top Russian ballet school, and the atmosphere bristles with competition, flirtation, and intrigue. She uses supple language to convey how bodies move and connect with music.聽

Maya and Natasha depend on each other; their mother, a dancer, died by suicide shortly after their birth, and they don鈥檛 know who their father is. The absence of family affects them differently: Maya initially comes across as self-pitying and needy, envious of Natasha鈥檚 talents. Natasha seems headstrong and careless of her sister鈥檚 feelings.聽

The stakes are high. National fame and travel opportunities accrue to a Kirov dancer, while anonymity and isolation await the sister left behind 鈥� or at least that鈥檚 what each one thinks. The Soviet Culture Ministry has ruled that only one member of a family can accept a position at the Kirov, which sends touring companies overseas. This is to discourage defections, which have become a PR nightmare for the Kremlin.聽

Durham taps into the desperation of artists hemmed in by an authoritarian system that provides for their training but warps their humanity. A rupture occurs that sends the two young women spiraling into different orbits. Reconciliation seems nearly impossible. 聽

With verve and drama, Durham draws us into the swirl of Soviet dancers, defectors, filmmakers, and politicians. 鈥淢aya & Natasha鈥� is an eloquent and timely reminder about the toll of authoritarianism, the corrosive effect of selfishness, and the hunger for forgiveness.