海角大神

Nigeria: World of Boko Haram mirrors 'To Live and Die in LA'

A spirit of nihilism in Nigeria's north country ramps up even as corruption in the capitol seems more pronounced and problematic.

March 27, 2014

A version of this post appeared in . The views expressed are the author's own.

Northeastern Nigeria increasingly resembles the world depicted in the 1985 film,听.

Directed by William Friedkin, the story is about the pursuit of a counterfeiter by secret service agents. As the story unfolds, the differences between criminals and law enforcement personnel nearly disappear.

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One听听observes that the criminals in the film appear to have more of an inner life than the law enforcers, whose actions are 鈥渆ndlessly self-consuming,鈥 leading to 鈥渕eaningless death and brutality.鈥 A 鈥渃ontradictory moral universe鈥 emerges -- 鈥渨here the wrong people die and redemption is an illusion.鈥

So, too, in Maiduguri, Nigeria.听

According to听, the UN humanitarian office news wire, the lines between soldiers and Boko Haram attackers are increasingly blurred. Soldiers sent to help civilians are accused of human rights violations, even torture. A听听report on the recent killings at Giwa Barracks on March 14, suggests that what occurred was a slaughter of the innocents; the majority of the 500 killed were 鈥渘ot proven insurgents.鈥

Nor does it seem likely that the increasingly horrific realities on the ground will change soon. IRIN notes the difficulty in gaining access to areas in need and states where 鈥渧ery few local NGOs or civil society organizations are responding to needs in the north.鈥

Such horror in Nigeria parallels that in Central African Republic.

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Nihilism in the northeast looms as an outgrowth of corruption in the heart of Nigeria鈥檚 political system. Central Bank governor Lamido Sanusi was 鈥渞emoved just as he was shifting his inquiry to where the money [an estimated missing $20 billion] has allegedly gone,鈥 the听revealed last week.

Vested interests, it appears, moved to protect themselves from exposure.

A central theme in Friedkin鈥檚 film is that, 鈥渘othing can be relied upon in this world. Women turn out to be men, good guys behave like bad guys, people are not who they claim to be, partners betray each other, money could be real or fake, and death comes when you least expect it.鈥

These are conditions Nigerian writer Ben Okri may have anticipated when a character in his novel听听exclaims, 鈥渢he sun bared the reality of our lives and everything was so harsh it was a mystery that we could understand and care for one another or for anything at all.鈥