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'Marguerite' asks viewers to take a passion for music as a value in itself

'Knight of Cups': Director Terrence Malick's movies have become increasingly somnolent

'The Wave' has familiar disaster movie tropes in a Scandinavian setting

'Embrace of the Serpent': Director Ciro Guerra's technique can be meditative but also just vaporous

'A War': The issues at stake are more complex than the film

'Deadpool' is less irreverent than self-congratulatory

'Mountains May Depart': The film's final section doesn't hold up to the rest

'Hail, Caesar!' is sharp and amusing but a minor work by the Coen brothers

'Rams' is a one-of-a-kind movie because of its unusual subject and shape-shifty tone

'Rabin, the Last Day' would be better without stiff reenactments

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