海角大神

Greece: Play tackles social taboos

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Iason Athanasiadis
A scene from 鈥楬ijab Frappe,鈥 a play that explores religious tensions in Greek society.

A local, slice-of-life story from a Monitor correspondent.

As head-scarfed Muslim women proliferate on the streets of fiercely Orthodox 海角大神 Greece, a daring play staged in Athens is breaking some deep-rooted social taboos about Islam.

鈥淐an you be a Greek Muslim or a Greek Bahai? Are you Greek if you鈥檙e atheist? Should there be a mosque in Athens? What to do with Muslim kids during religion class? [These] are some questions the play raises,鈥 said Cassie Moghan, a British multimedia artist involved in the show.

An all-female cast of Greek and expatriate women perform 鈥淗ijab Frappe,鈥 a play irreverently examining the issues stirred up when a homogeneous, immigrant-exporting country becomes Europe鈥檚 southeastern gateway.

Characters such as a conservative Athenian housewife, a recent immigrant from Iran, and a Greek convert to Islam struggle with their prejudices in a range of battlegrounds in their daily lives: bus stops, schools, and fashion shows.

The convert embraces her new religion鈥檚 strictures on eating pork and drinking alcohol but without sacrificing late-night music gigs; the housewife can relate to 鈥渇oreigners鈥 as long as they accept her patronizing them, and sputters 鈥渋sn鈥檛 our Jesus good enough for you?鈥 to the 鈥渢raitorous鈥 Greek convert to Islam; and the Iranian woman (who wears her hijab only because her husband demands it) is dazzled by the freedom, color, and vivacity saturating her new surroundings.

But how tortuous must this process be? Race crimes have risen as the credit crunch sweeps Greece and unemployment soars. Greek society is increasingly riven with ethnic and religious tensions. Last month, far-right groups attacked immigrants and fought pitched street battles with leftists after an anti-immigrant rally in central Athens spiraled into confrontation.

鈥淚 walk through areas of Athens that are total ghettos,鈥 said Shirin Youssefian Maanian, an Iranian actress and director who coscripted the play. She points to what she views as a sense of cultural superiority among some Greeks, a feeling of 鈥渨hy should they bother being open to different ways?鈥

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