A spotlight on grace under pressure
People often ask how I decide whom to train my lens on. Sometimes it鈥檚 just a matter of where the light falls.
It鈥檚 hard to choose a favorite photo from a year of work. Is it the dapper Scottish man at the New Hampshire Highland Games & Festival with the sun reflecting on his face? The people serving time who transformed their lives by performing with Shakespeare Behind Bars, and are now out in the world and thriving?
No, for 2025, the ballerinas at Youth America Grand Prix, waiting backstage for their big moment, are my choice. The vivid colors, the lighting on their faces, their concentration, and the maturity coming through despite their ages combine to create an image that tells a story.
People often ask how I decide whom to train my lens on. Sometimes it鈥檚 just a matter of where the light falls. But the background matters, too. I don鈥檛 like clutter, so I move higher, lower, to the left, or to the right to get a 鈥渃lean鈥 shot. Photographers can鈥檛 arrange candid photographs, but they can arrange themselves to get the best composition possible. In the ballerinas photo, the positions of the dancers create dynamism and depth. And look at the girl on the right with the tilted head. For me, it would be a weaker photo if her head were completely vertical like the others.
Most of all, I look for a spark, an energy in someone鈥檚 expression. I often tell people, 鈥淛ust pretend I鈥檓 not here,鈥 because it鈥檚 optimal to record subjects acting naturally. These ballerinas barely registered my presence, allowing me to capture their grace.
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