Brooklyn鈥檚 Finest: movie review
Cop movies and TV shows are so omnipresent that it鈥檚 difficult imagining anything radically new happening to the genre. The best one can hope for nowadays is a variation on a theme.
Compared with the recent, monumentally awful 鈥淐op Out,鈥� I suppose the new Antoine Fuqua melodrama 鈥�Brooklyn鈥檚 Finest鈥� is acceptable. Then again, you could say that about any movie in comparison with 鈥淐op Out.鈥� As you can tell, I鈥檓 a big fan of 鈥淐op Out.鈥�
But back to the matter at hand. Fuqua is best known for directing 鈥�Training Day,鈥� an overrated cop movie starring an Oscar-winning Denzel Washington as a good-bad cop who might have received his training in Hades. The Brooklyn in this new film isn鈥檛 far removed from that location. Three cops, all of them in varying stages of psychological meltdown, gradually come apart before our eyes, leaving behind them a wake of corpses and cash. If ever there was a nonrecruitment movie for police work, this is it.
IN PICTURES: Academy Award for Best Picture nominees
We first see Richard Gere鈥檚 Eddie waking up alone in a crummy apartment and reaching for a bottle of booze and a gun, which he inserts into his mouth before having second (third?) thoughts. Eddie is weeks away from retirement. Guess the benefits aren鈥檛 so hot.
Don Cheadle鈥檚 Tango is an undercover cop who is deeply implicated in the kingpin empire of his friend Caz (Wesley Snipes). Ethan Hawke鈥檚 Sal is a narcotics cop who is looking to score some drug money so he can move his asthmatic wife (Lili Taylor) out of their mold-infested house.
These three crosscutting stories are all pointed in the same direction 鈥� down, down, down. Soon the bottom is hit and the body count reaches epidemic proportions. Besides the three leads, a lot of other good actors, such as Vincent D鈥橭nofrio, Brian F. O鈥橞yrne and Ellen Barkin, put in appearances. They are all better than the film deserves.
On second thought, 鈥淏rooklyn鈥檚 Finest鈥� does indeed provide a new genre twist. This must be the only cop movie ever made where a character is driven off the deep end by mold. Grade: C- (Rated R for bloody violence throughout, strong sexuality, nudity, drug content, and pervasive language.)
