New pink LEGOs for girls enforce Disney Princess sterotypes
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Saturday Night Live鈥檚 fake commercial, 鈥淐hess for Girls," was hilarious in 1997鈥揵ut today, it strikes awfully close to home. An ultra-pink chess set that鈥檚 鈥渘ot too hard, just pretty and fun鈥 鈥 with prancing ponies and a long-haired queen in a gown? Wow. Who knew SNL could see the future of children鈥檚 popular culture?
Right now, everyone is talking about gender divisions in the toy aisles. Boys' toys swim in a sea of blue and black, while girls鈥 toys look like victims of a catastrophic Pepto-Bismol spill.
This is a big enough problem that about a month ago, Hamleys Toy Shop in London 听made news by desegregating children鈥檚 toys, grouping them by interest instead of gender.
It wouldn鈥檛 have been newsworthy if the typical toy store layout wasn鈥檛 such a problem.
As you鈥檝e likely heard, LEGO one-upped the stakes recently by creating a reductive and offensive girls鈥 line of LEGOs. If you think about it, the concept of LEGOs for girls practically plagiarizes SNL鈥檚 Chess for Girls. Like chess, LEGOs are enjoyable to both boys and girls. But making a new LEGO line that is pink, beauty-centric, and not too hard? Perfect!
No wonder parents and critics are upset.
In fact, it seems a movement is building, buttressed by a national dialogue about unnecessarily heightened gender divisions in children鈥檚 popular culture. SPARK mailed LEGO more than 48,000 signatures protesting the new line in January. The numbers speak volumes.
But how did we get here? How did gender divisions become quite so divisive?
There are lots of ways to explain this history. But in my opinion, Disney 鈥 one of the major producers and arbiters of children鈥檚 culture 鈥 plays a central role in it. In 1999, a Disney exec realized that by grouping Disney鈥檚 Princesses together, they might be worth more than the sum of their parts. This marketing insight has brought Disney billions in revenue. Other companies like Mattel moved quickly to cash in on the trend, fueling the princess craze.
If there鈥檚 a princess version of nearly everything, and 鈥減rincess鈥 is a category that excludes boys, then gender divisions in children鈥檚 popular culture can only be heightened. Superheroes are for everyone 鈥 even if they鈥檙e 鈥渇or鈥 boys, girls enjoy them, too 鈥 but princesses are aspirational. Only girls can become princesses, so princess culture is only for the girls. And this means that the Disney Store now gives about two-thirds of its floor space exclusively to girls, if the Boston-area Disney Store I visited with my family recently is the norm: "Cars" and "Toy Story" products largely filled the left-hand side of the store, while the center and right featured princess and nothing but princess.
When I was a kid, Disney was about Mickey and Donald and Goofy and Pluto. Oh, and Minnie and Daisy, too. These were characters all kids could enjoy. The recent devolution in children鈥檚 culture 鈥 from boys and girls having at least some shared interests, to such a divisive schism 鈥 is troubling. In fact, when I assign my 19-year-old media studies students to analyze what鈥檚 happening in their local toy aisle, even they are surprised: They haven鈥檛 shopped in toy aisles in nearly a decade, and though they remember some gender divisions (boys鈥 aisles and girls鈥 aisles have been around for ages), they often don鈥檛 remember those divisions being quite so complete.
The only way our current situation will change is if we fight back. And that鈥檚 why I created a petition about Hasbro鈥檚 talking Princess Celestia toy. A television show has finally presented a princess character that appeals to boys and girls alike 鈥 because she鈥檚 a leader, not a beauty object. If you agree that children need more characters like these, and that toys shouldn鈥檛 reduce such characters to princess stereotypes, won鈥檛 you please ?
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