'Harry Potter and the Deathly Hallows: Part 2' will have 'very, very good' 3D effects
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One of the most refreshing things about was the filmmakers鈥 decision to not . And, if hard box office numbers are anything to go by, it didn鈥檛 seem to hurt the film鈥檚 reception one iota.
Alas, we were not so lucky with Harry Potter and the Deathly Hallows Part 2, which has gone through that post-conversion 3D process and will probably be released in more 3D theaters than 2D. Still, there鈥檚 hope yet for a quality 3D experience, as Visual Effects Supervisor Tim Burke recently praised the final film鈥檚 3D.
When asked about creating the visual effects for Part 2, Burke said, (courtesy of ):
"We were past the wire, actually. We really pushed it right way to the end of any possible time on this one. We had the big conversion to 3D as well, and that sort of added a massive complication. So yeah, we鈥檝e used every second we possibly could."
Speaking of the upconverted 3D, he said:
"I think it鈥檚 good, actually. I think people are going to be really pleased. I know everyone鈥檚 a little nervous and skeptical of 3D these days, but the work has been done very, very well. We鈥檝e done over 200 shots in 3D and in the visual effects as well, because so much of it is CG, so the results are very, very good. I think everyone鈥檚 going to be really impressed with it, actually."
Nearly ten years later, it鈥檚 hard to remember just how poor the special effects were inHarry Potter and the Sorcerer鈥檚 Stone. For a movie that had immense monetary backing from Warner Bros., top-notch production values in every other category, and one of the best casts in the history of fantasy adaptations, there seemed to be little concern for how the more fantastical elements came across onscreen. Trolls, centaurs, broomstick-flying wizards 鈥 all of it looked terrible, in terms of CGI.
One year later, that all changed with The Chamber of Secrets, a film with special effects that continue to hold up to this day (and will likely hold up in perpetuity). Dobby the House-Elf, the giant snake, broomstick-flying wizards 鈥 all of it looked exceedingly realistic and awesomely impressive. Sure, The Two Towers may have won the Best Visual Effects Oscar in 2002, badly-rendered wargs and all, but Harry Potter and the Chamber of Secretsdeserved to.
The point is, Tim Burke, the man responsible for the massive leap in quality for Harry Potter鈥檚 special effects between the first and the second film 鈥 and the continued quality ever since - knows what he鈥檚 talking about when it comes to this sort of thing. That said, he鈥檚 also an employee of Warner Bros. who specifically worked on the film he鈥檚 praising, so his word on the issue isn鈥檛 exactly unbiased.
Regardless, Warner Bros. has had the time 鈥 and they certainly have the money 鈥 to craft some serviceable, if not quality, 3D for the final Harry Potter film. This won鈥檛 be or . But that doesn鈥檛 mean that this particular Screen Rant writer is going to pay the extra five dollars (or whatever) to see either serviceable or quality upconverted 3D.
SPOILERS BELOW!
Lastly, Burke also discussed the final scene in the film at King鈥檚 Cross 鈥 which had to be reshot 鈥 wherein Harry, Ron, and Hermione are older and sending their own children off to Hogwarts:
"Oh, yeah, they actually had to re-shoot that. I鈥檇 even forgotten about that already. Because they were re-shooting it, they couldn鈥檛 go to King鈥檚 Cross, where it was staged. So they shot it with green screen, and we had to put King鈥檚 Cross in. So that was a surprise. I鈥檇 forgotten it all. And then they did some sort of makeup for the aging. But then at the very end, after the audience screening, they asked us to start enhancing it to make the kids seem older. So that was another surprise. See, you just forget these things. I think it鈥檚 called therapy. You just try and blank them."
END SPOILERS
How do you feel about the final Harry Potter film being released in 3D? Will you be watching it in 2D or 3D, if you have your druthers? Let us know in the comments.
Harry Potter and the Deathly Hallows Part 2 hits theaters July 15th, 2011.
Source:
Ben Moore blogs at .
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