海角大神

On a recent frigid evening in Chicago, a spot of warmth was emanating from a blues club off South Wabash Avenue. Every January, iconic bluesman Buddy Guy plays at his home club, Legends. This year, he鈥檚 starting his farewell tour.

Mr. Guy is the last of a long line of blues guitarists 鈥� some call him the greatest 鈥� who left hardscrabble Southern childhoods for a new life in Chicago. Now 86, he feels like he鈥檚 charged with keeping the blues alive. He took the stage last month in a wide-brim hat, coral suit, black-and-white sneakers, and a Fender Stratocaster slung over his shoulder. His club hummed with vibrant joy.

Chicago has had its share of troubles, from rising crime to racial tensions. But it is also the crossroads of historic exchange between Black and white cultures, the blues bending and blending human emotion into a steady 4/4 rhythm, a building block heard in the Inventions of Bach and even Madonna鈥檚 pop hits.

Sadness might be the place you start from when playing the blues, but that鈥檚 not where you end up. 鈥淭he blues chase the blues away,鈥� Mr. Guy regularly reminds audiences.聽

The blues is about facing truth and still expressing joy. You could see it in his smile as he stepped off the stage and strode through the crowd, still strumming his Strat, until he reached the street outside 鈥� the blues amplified into Chicago鈥檚 cold night air. He鈥檚 won eight Grammys, and a host of other honors. His has earned another Grammy nomination. The winners will be announced Sunday, Feb. 5.

Whether Mr. Guy wins again doesn鈥檛 really matter. His legacy is set in a tradition that鈥檚 been crafted over time. The blues tells an important story about us 鈥� and it鈥檚 a vital, life-giving part of American history.