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Critics: Miranda July's first novel 'The First Bad Man' is a well-done transition to the form

July's upcoming book has received many positive reviews, with critics calling it 'compelling' and 'visionary,' though some felt that parts of the story were contrived and that some sections tried too hard to shock the reader.

'The First Bad Man' is by Miranda July.

Miranda July is releasing her first novel with the publication of the book 鈥淭he First Bad Man,鈥 which hits shelves on Jan. 13.聽

July has written short stories, including the collection 鈥淣o One Belongs Here More Than You,鈥 and has directed and starred in films such as 鈥淭he Future鈥 and 鈥淢e and You and Everyone We Know.鈥 Her upcoming book 鈥淭he First Bad Man鈥 centers on Cheryl Glickman, a woman whose intense fantasy life is disrupted when her bosses ask her if their young daughter can stay with Cheryl.

Amazon named 鈥淏ad鈥 to its list of the best books of January and Amazon editorial director Sara Nelson noted it鈥檚 not exactly a comfortable read. 鈥淭his is a very weird book,鈥 she said. 鈥淚t鈥檚 purposefully disturbing鈥 [it鈥檚] very complicated.鈥

It鈥檚 also received other positive reviews, with giving it a starred assessment. 鈥淭his well-written, compelling novel will delight the open-minded reader looking for something new,鈥 Kate Gray of Massachusetts鈥 Worcester Public Library wrote. 鈥淚t will satisfy July's fans and win her many more.鈥 And wrote that July鈥檚 move from short stories was 鈥渟uccessful.鈥 鈥淛uly鈥檚 writing is strange and beautiful, with enough cleverness woven into the characters鈥 strange fantasy lives to keep readers contemplating the family roles and games adults undertake.鈥 writer Caroline Goldstein also named 鈥淏ad鈥 on her list of the best books of January, writing of her experience with the book, 鈥淚 found myself laughing and cringing in equal measure, and even if I don鈥檛聽totally聽understand everything July is trying to say or do here, I鈥檝e become a believer.鈥

Meanwhile, Karina Longworth of wrote that 鈥淭he First Bad Man聽feels visionary,鈥 though she noted that 鈥渢he tissue connecting these segments into an overarching narrative is sometimes a bit too neat (coincidences abound), and sometimes compromised by the fact that Cheryl spends much of the book as a pathologically solipsistic unreliable narrator, although that鈥檚 also a selling point 鈥 July has an enviable talent for sketching inner life as all-consuming.鈥 And found that 鈥淸the book鈥檚] strange details sometimes seem to slide into heavy-handed attempts to shock, at their best, they deliver an emotional slap made sharper and more fitting by their oddity. A sometimes-funny, sometimes-upsetting, surprisingly absorbing novel that lives up to the expectations created by July's earlier work and demonstrates her ability to carry the qualities of her short fiction into the thickly fleshed-out world of a novel.鈥

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