Shel Silverstein: a new collection, 12 years after his death
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Years after he made the imaginary ailments of little Peggy Ann McKay famous (鈥淚 have the measles and the mumps/ A gash, a rash and purple bumps鈥), another collection of Shel Silverstein鈥檚 kid-friendly poems has appeared on the market, 12 years after his death.
The newest book, 鈥淓very Thing On It,鈥 has the same familiar black-and-white illustrations and wacky rhymes that for decades now have been winning over even the most poetry-averse of kid readers. This book is the first compilation of children's poetry by Silverstein published since his book 鈥淔alling Up鈥 appeared in 1996.
鈥淔alling Up鈥 was preceded by 鈥Where the Sidewalk Ends鈥 in 1974 and 鈥A Light in the Attic鈥 in 1981.
Silverstein's career was broad and varied. Before he became known for his poetry, he got both kids and parents a little teary with his children鈥檚 book 鈥淭he Giving Tree,鈥 published in 1964, which told the bittersweet story of a tree willing to give everything it could for the little boy who loved it.
鈥淗appy endings, magic solutions in children's books create an alienation in the child who reads them,鈥 Silverstein once told the New York Times. 鈥淭he child asks why don't I have this happiness thing you're telling me about, and comes to think when his joy stops that he has failed, that it won't come back.鈥
Besides his famous occupation as a children鈥檚 author, Silverstein worked as a playwright and a performer as well as a cartoonist for Playboy. He also won a Grammy award for his songwriting work on 鈥淎 Boy Named Sue,鈥 which was recorded by country superstar Johnny Cash. He later received Oscar and Golden Globe nominations in the Best Music, Original Song category for the film 鈥淧ostcards from the Edge,鈥 and the album of 鈥淎 Light in the Attic鈥 was nominated for a Grammy Award in the Best Recordings for Children category.
Silverstein鈥檚 book 鈥淓very Thing On It鈥 has familiar themes and goofy endings, including the poem 鈥淪chool鈥 鈥 consisting only of, 鈥淩ain and hail/ Cold and snow/ Are good excuses not to go鈥 鈥 and 鈥淭he Genie in the Flask,鈥 in which genie legends get turned on their head. 鈥淚 opened up that magic flask/ And zoof, up popped a genie鈥 He says that I must be his slave/ And oh, he isn鈥檛 kidding,鈥 Silverstein writes. Others contain Silverstein鈥檚 trademark dark humor, as in "Mustache Mo," whose titular character meets a bad end. 鈥淢ustache Mo of the B. & O./ His mustache grows ten feet or so,鈥 writes Silverstein. 鈥淚t got caught in the wheels below./ Now there鈥檚 no mustache/ And no mo鈥 Mo.鈥
Some readers, when perusing a book published after the author鈥檚 death, may look for a valedictory inclusion. The last poem of 鈥淓very Thing On It鈥 seems to sound that note. 鈥淲hen I am gone what will you do?鈥 begins the poem titled, 鈥淲hen I Am Gone.鈥 鈥淲ho will write and draw for you?鈥
But the ending offers the same message of encouragement to kids that is one of the main reasons that Silverstein鈥檚 poems are still so popular in classrooms. 鈥淪omeone smarter 鈥 someone new?鈥 Silverstein鈥檚 poem continues. 鈥淪omeone better 鈥 maybe YOU!鈥
Molly Driscoll is a Monitor correspondent.
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