海角大神

Eat, Memory: Great Writers at the Table

Writers recall their most memorable meals.

Eat, Memory: Great Writers at the Table Edited by Amanda Hesser W. W. Norton, 204 pp., $24.95

No one can deny the power of a steaming, full plate to transport one to some other time or place. And yet food, or a meal, can also play a minor character in an intense drama.

Everyone has an expert opinion about food these days but it takes a good writer to decipher the emotions that surround the daily act of eating. Eat, Memory is a collection of 26 essays by noted authors who do just that.

The essays first appeared in The New York Times Magazine under its 鈥淓at, Memory鈥 column after being skillfully edited by Amanda Hesser, a former food editor there and a delightful writer herself.

Ann Patchett (鈥淏el Canto鈥) describes how nearly breaking up with her boyfriend in Paris鈥檚 celebrated Taillevent eclipsed any recollection of what they actually ate that evening.

Kiran Desai (鈥淭he Inheritance of Loss鈥) shares her childhood kitchen standoffs over prized ingredients with her family鈥檚 territorial cook.

Not all memories are delicious 鈥 bittersweet and ridiculous also have their place.

Allen Shaw (鈥淲ish I Could Be There鈥) writes of his annual birthday meal with his institutionalized twin sister.

Gary Shteyngart (鈥淭he Russian Debutante鈥檚 Handbook鈥) contributed a hilarious essay titled 鈥淭he Sixth Sense鈥 about his upbringing on post-Soviet fare: 鈥淭he nightly dose of farmer cheese was supposed to make you grow tall and strong. (I am five-foot-six on a good day.)鈥

And George Saunders (鈥淭he Braindead Megaphone鈥), jabs at consumption culture by including his recipe for 鈥淟ight-As-Air Brunch,鈥 which lists 鈥淎ir, approximately 6 cubic feet鈥 as an ingredient and instructs one to return the rest of the ingredients as soon as possible.

The essays also succeed in grounding famous personalities down on earth: Julia Child fumes after failing a basic exam at Cordon Bleu in 鈥淭he Sauce and The Fury鈥 and Tucker Carlson describes his encounter with a can of bad beans the summer he worked in a canning factory in 鈥淏ean There.鈥

These enjoyable, insightful, short essays may end too soon, but their memories will linger as if they were your own.

Kendra Nordin is a staff editor.

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