海角大神

Few people today remember Alexander von Humboldt, but the Prussian naturalist predicted climate change back in the early 19th century. 鈥淗e鈥檚 the forgotten father of environmentalism,鈥� says historian Andrea Wulf.听

During Humboldt鈥檚 travels through Venezuela in 1799, he noticed that farmers in the Aragua valley听were deforesting the region to grow indigo. As a result, the nearby lake was drying up. Later, in a letter to President Thomas Jefferson听dated June 1804, he wrote, 鈥淭he wants and restless activity of large communities of men gradually despoil the face of the Earth.鈥�

It was one of the first Western observations of human-caused climate change, according to Wulf. Environmentalists and scientists like Charles Darwin, John Muir, and Henry David Thoreau were heavily influenced by his writings, which were widely read during his lifetime.听Wulf wanted to raise Humboldt鈥檚 profile for today鈥檚 readers. So she wrote 鈥淭he Adventures of Alexander von Humboldt,鈥� a lush and meticulously illustrated history of his South American expedition.听

鈥淚 grew up in Germany, so we heard about [Humboldt] as an adventurer, or maybe a botanist,鈥� Wulf says. 鈥淏ut no one talked about him as the man who had predicted harmful, human-induced climate change. So that became the thing that got me going.鈥� She鈥檚 also the author of 鈥淭he Invention of Nature,鈥� a 2015 New York Times bestselling nonfiction book that delves more deeply into Humboldt鈥檚 life and influence.听

鈥淭he Adventures of Alexander von Humboldt鈥� stands apart with its rich visual presentation: It鈥檚 filled with Humboldt鈥檚 own drawings, maps, and writings, all sourced from the Berlin State Library鈥檚 digitized collection of his journals. Those are juxtaposed with a dizzying array of reproductions, including pressed botanical samples, landscape paintings, and photos. And it鈥檚 all stitched together by the artwork of Lillian Melcher, a recent Parsons School of Design听graduate.

鈥淸Humboldt] was one of the first people to make science popular and accessible, because he used infographics in all of his books,鈥� says Melcher. She believes strongly in following in his footsteps to increase scientific literacy. 鈥淚 think that combination of science and art is a better way to learn,鈥� she says.

Wulf and Melcher collaborated to storyboard the book, but 鈥淗umboldt was our third collaborator,鈥� Melcher says.听

Each page represents weeks鈥� worth of research. 鈥淎ndrea and I are definitely the same kind of nerdy, where we just want accuracy. We want to know all the little details,鈥� Melcher says.

For example, the scanned pages of Humboldt鈥檚 diary that appear as background images on most pages of the book actually correspond to the events taking place in the story. When Humboldt鈥檚 boat capsized in the Orinoco River, his journals were stained with river water. Wulf and Melcher used reproductions of those diary pages to collage an image of the river, and Melcher drew Humboldt jumping into the pages to rescue his belongings.

鈥淗e鈥檚 jumping through that watermark to rescue his diary, but it鈥檚 [also] the real watermark,鈥� says Wulf. 鈥淚t鈥檚 this double sense and I just love it.鈥�

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Courtesy of Penguin Random House

Historian Andrea Wulf recently released the graphic novel 鈥淭he Adventures of Alexander von Humboldt.鈥�

Humboldt鈥檚 interests were so wide-ranging that he found it hard to settle into a specific discipline. (That鈥檚 perhaps one of the reasons he fell into obscurity: As scientific thought progressed, narrower focuses took precedent.) The structure of 鈥淭he Adventures of Alexander von Humboldt鈥� is a true reflection of his restless curiosity 鈥� always varied, sometimes digressive, it鈥檚 a kaleidoscopic view into the diverse, fascinating, and occasionally brutal landscape of the South America that he encountered.听

Intrinsic to Humboldt鈥檚 writings were his critiques of imperialism and slavery, as well as of environmental degradation. With startling prescience, he pointed out the economic, environmental, and human costs of slavery and silver mining in 鈥淓ssay on the Kingdom of New Spain鈥� and 鈥淧olitical Essay on the Island of Cuba.鈥� Both are introduced in Wulf鈥檚 and Melcher鈥檚 book.

Importantly, he allowed his passion for nature to influence and color his work. 鈥淚f I look at [today鈥檚] climate change debate in the political arena ... what I鈥檓 really missing is that no one dares to talk about the wonders of nature,鈥� says Wulf. 鈥淸Humboldt] says we need to听feel听nature. We need to use our imagination to understand nature. ... And this aspect of his work, I think, is what makes it incredibly relevant today.鈥�

Melanie Stetson Freeman/Staff

Illustrator Lillian Melcher sits in the courtyard at the Boston Public Library where she goes to research and draw inspiration from the John Singer Sargent murals, on May 31, 2019 in Boston.

There鈥檚 no doubt Humboldt was intrepid. He fearlessly placed himself in harm鈥檚 way to gather knowledge, even if that meant climbing active volcanoes, crawling into mines, and prodding electric eels. When a ship he was on sailed into a hurricane with 40-foot waves, he sat down to calculate the exact angle at which the boat would capsize. Death would be better experienced methodically, he reasoned. The ship stayed afloat.

鈥淭he Adventures of Alexander von Humboldt鈥� gives a true sense of the global scale of his imagination, and of the indomitable drive that enabled him to disseminate the scientific information he gathered to the next generation of scientists, writers, and artists. Western civilization at large is only now beginning to understand what Humboldt intuited in the early 19th century: 鈥淚n this great chain of causes and effects, no single fact can be considered in isolation.鈥�

Editor鈥檚 note: This story has been updated to correctly state the name of the school attended by Lillian Melcher.