海角大神

At the end of a dirt alley in Katindo, a working-class neighborhood of Goma in the Democratic Republic of Congo, Jonathan Bitonde waits in front of a metal gate. Soon, a dozen children ages 11 to 17 stroll through it, arm in arm. They smile with the easy camaraderie of those who know one another well.

The group listens intently as Mr. Bitonde, a teacher with Congo Street Breaking Art, starts his address.

鈥淭oday, we鈥檙e going to talk about anger and sadness,鈥� he says. 鈥淎nd we鈥檙e going to see how dance can help us express these feelings.鈥�

The children, growing up in a city riven by economic insecurity and a violent conflict fueled by the resurgence of the M23 armed rebel group, are there to learn the art of breaking, also known as breakdancing. The dance workshop has been operating since 2008.

For a 15-year-old who calls himself B-Boy Issa, dance has been a lifeline. The teen鈥檚 father was taken by M23, and he had to stop studying because his mother could no longer afford school fees.

He trains in the workshop space every weekday. On weekends, when the space is closed, he helps his mother make food that she sells on the street in hopes of eventually affording school tuition for him.

鈥淒ance is my only hope in life; I hold on to it with all my strength,鈥� he says. 鈥淚 learn dance, effort, painting, sharing, and brotherhood there.鈥�

Paloma Laudet

EVERYBODY DANCE: Josu茅 Mukumba (at front in black) runs a workshop for young children in the Mugunga neighborhood of Goma.

Paloma Laudet

HANDSTANDING OVATION: Mr. Bitonde (at back in black T-shirt) leads a dance workshop for teenagers.

Paloma Laudet

STREET FOOD: A teen known as B-Boy Issa pauses at home while helping his mother make samosas that they will sell, in the Katindo neighborhood of Goma, Congo.

Paloma Laudet

HIS REFUGE: Jonathan Bitonde, a teacher with Congo Street Breaking Art, rests in his room. Orphaned at age 4, he was adopted nine years later by a widow in Katindo. 鈥淲ithout her, I am nothing,鈥� he says.